{"id":4827,"date":"2023-02-10T09:00:14","date_gmt":"2023-02-10T09:00:14","guid":{"rendered":"https:\/\/unatumbaparaelojo.com\/?p=4827"},"modified":"2025-04-06T07:52:38","modified_gmt":"2025-04-06T07:52:38","slug":"lista-mas-alla-del-canon","status":"publish","type":"post","link":"https:\/\/unatumbaparaelojo.com\/?p=4827","title":{"rendered":"LISTA M\u00e1s all\u00e1 del canon"},"content":{"rendered":"

LISTA Una tumba para el ojo: 2021<\/a>
\nLISTA Una tumba para el ojo: 2022<\/a>
\nLISTA Una tumba para el ojo: 2023<\/a>
\nLISTA Una tumba para el ojo: 2024<\/a><\/p>\n

CR\u00cdTICA Y ENTROP\u00cdA<\/u><\/p>\n

El mayor enemigo del conocimiento humano es la entrop\u00eda. La entrop\u00eda entendida como disoluci\u00f3n, como desmemoria paulatina, pero tambi\u00e9n la entrop\u00eda entendida como magnitud estructural, como desorganizaci\u00f3n fatal de un conocimiento que est\u00e1 ah\u00ed, sin embargo, sin jerarqu\u00eda. La misi\u00f3n de un cr\u00edtico de cine, de un historiador del arte, entonces, pasar\u00e1 necesariamente por enfrentar esta entrop\u00eda, por intentar contrarrestarla, ya que, como se nos deja saber por sus leyes, el trabajo de esta magnitud consiste en disgregar, confundir las energ\u00edas. El tiempo mismo desorganiza, desordena, erosiona lo construido. Indiferencia y olvido. Pero para el cin\u00e9filo, una lista peri\u00f3dica de los mejores filmes vistos no tiene por qu\u00e9 ser un mal modo de hacerles frente. La experiencia, no obstante, parece querer insistir en demostrarnos lo contrario; cuantas m\u00e1s listas leemos, m\u00e1s nos convencemos de que no sirven para nada: ni nos descubren filmes, ni cartograf\u00edan mapa. Acabamos teniendo la impresi\u00f3n de que dedicar espacio mental a debatir sobre esta o aquella lista solo pospone el debate acerca de los dos grandes problemas del estado cin\u00e9filo actual: uno inmenso que ata\u00f1e a la total falta de ra\u00edces en la mayor parte de la poblaci\u00f3n con respecto al cine, y otro realmente muy peque\u00f1o pero tambi\u00e9n culpable, el que se apoya en una cinefilia incapaz de abrir puertas nuevas a un canon hecho por sus padres, y que a la postre ni siquiera se ha consolidado ni tiene visos en el mundo real. Es decir, el problema mayor siempre ser\u00e1 aquel de que quiz\u00e1 nunca oiremos casualmente mientras compramos el pan a dos vecinos discutiendo sobre el cine de Kenji Mizoguchi, pero tambi\u00e9n es cierto que la cinefilia que hoy se supone de vanguardia muestra signos de replegamiento, de que no hay regeneraci\u00f3n ni ya exploradores desde hace mucho tiempo.
\n          He aqu\u00ed nuestra lista, sin ning\u00fan orden pero con algunas concomitancias, de varios filmes y cineastas que creemos m\u00e1s all\u00e1 de los diversos c\u00e1nones artificiales que hasta ahora hemos le\u00eddo propuestos.<\/p>\n

 <\/p>\n

LISTA M\u00e1s all\u00e1 del canon<\/em><\/u>:<\/strong><\/p>\n

Hwajang<\/em> (Im Kwon-taek, 2014) [Corea del Sur]
\nGilsoddeum<\/em> (Im Kwon-taek, 1986) [Corea del Sur]
\nFriends<\/em> (Elaine Proctor, 1993) [Reino Unido, Francia, Sud\u00e1frica]
\nTender Is the Night<\/em> (Cortometraje de Patrick Tam para el filme colectivo Baat Bou Bun<\/em>, 2020) [Hong Kong]
\nFu zi <\/em>(Patrick Tam, 2006) [Hong Kong]
\nZui hou sheng li <\/em>(Patrick Tam, 1987) [Hong Kong]
\nLie huo qing chun <\/em>(Patrick Tam, 1982) [Hong Kong]
\nAll I Wanna Do<\/em> [Strike!<\/em>] (Sarah Kernochan, 1998) [EUA]
\nPerfume<\/a><\/strong> <\/em>(Michael Rymer, 2001) [EUA]
\nDunia <\/em>(Jocelyne Saab, 2005) [Egipto]
\nAng\u00e8le <\/em>(Marcel Pagnol, 1934) [Francia]<\/p>\n

Metod Pevec<\/u> [Eslovenia]<\/strong><\/p>\n

Jaz sem Frenk <\/em>(2019)
\nVaje v objemu <\/em>(2012)
\nEstrellita <\/em>(2007)
\nPod njenim oknom <\/em>(2003)<\/p>\n

***<\/p>\n

\"
Vaje v objemu<\/em> (Metod Pevec, 2012)<\/figcaption><\/figure>\n

***<\/p>\n

Faat Kin\u00e9<\/em> (Ousmane Sembene, 2000) [Senegal]
\nHugo Pool<\/em> (Robert Downey Sr., 1997) [EUA]
\nHigh Art<\/strong><\/a><\/em> (Lisa Cholodenko, 1998) [EUA]
\nDeep Cover<\/em> (Bill Duke, 1992) [EUA]
\nThe Killing Floor<\/em> (Bill Duke, 1984) [EUA]
\nMistress America<\/em> (Noah Baumbach, 2015) [EUA]
\nRich and Famous<\/em> (George Cukor, 1981) [EUA]<\/p>\n

Jonathan Demme<\/u> [EUA]<\/strong><\/p>\n

Neil Young Journeys <\/em>(2011)
\nRachel Getting Married<\/em> (2008)
\nMarried to the Mob<\/em> (1988)
\nSwimming to Cambodia <\/em>(1987)
\nSomething Wild <\/em>(1986)
\nStop Making Sense<\/em> (1984)
\nWho Am I This Time? <\/em>(1982)
\nMelvin and Howard<\/em> (1980)<\/p>\n

David Byrne’s American Utopia<\/em> (Spike Lee, 2020) [EUA]
\nGirl 6<\/em> (Spike Lee, 1996) [EUA]
\nTrue Stories<\/em> (David Byrne, 1986) [EUA]
\nAgantuk <\/em>(Satyajit Ray, 1991) [India]
\nOld Boyfriends <\/em>(Joan Tewkesbury, 1979) [EUA]
\nGood-bye, My Lady<\/em> (William A. Wellman, 1956) [EUA]
\nTrack of the Cat<\/em> (William A. Wellman, 1954) [EUA]
\nThe Next Voice You Hear\u2026<\/em> (William A. Wellman, 1950) [EUA]
\nFrisco Jenny<\/em> (William A. Wellman, 1932) [EUA]
\nOther Men’s Women <\/em>(William A. Wellman, 1931) [EUA]
\nLive Nude Girls<\/em> (Julianna Lavin, 1995) [EUA]
\nThe 24 Hour Woman<\/em> (Nancy Savoca, 1999) [EUA]
\nDogfight<\/em> (Nancy Savoca, 1991) [EUA]
\nEverybody Wins<\/em> (Karel Reisz, 1990) [Reino Unido]
\nOff the Map<\/em> (Campbell Scott, 2003) [EUA]<\/p>\n

Rebecca Miller<\/u> [EUA]<\/strong><\/p>\n

Arthur Miller: Writer<\/em> (2017)
\nMaggie’s Plan<\/em> (2015)
\nThe Private Lives of Pippa Lee<\/em> (2009)
\nThe Ballad of Jack and Rose<\/em> (2005)
\nPersonal Velocity<\/em> (2002)
\nAngela<\/a><\/strong><\/em> (1995)<\/p>\n

Pirosmani<\/em> (Giorgi Shengelaya, 1969) [URSS, Georgia]
\nThe Japanese Wife<\/em> (Aparna Sen, 2010) [India]
\nMr. and Mrs. Iyer <\/em>(Aparna Sen, 2002) [India]
\nCounting<\/em> (Jem Cohen, 2015) [EUA]
\nHet oog boven de put<\/em> (Johan van der Keuken, 1988) [Pa\u00edses Bajos]
\nPasazerka<\/em> (Andrzej Munk, Witold Lesiewicz, 1963) [Polonia]
\nThe Far Country<\/em> (Anthony Mann, 1954) [EUA]
\nMidaregumo<\/em> (Mikio Naruse, 1967) [Jap\u00f3n]
\nIwashigumo<\/em> (Mikio Naruse, 1958) [Jap\u00f3n]
\nUkigumo<\/em> (Mikio Naruse, 1955) [Jap\u00f3n]
\nRoad to Nowhere<\/em> (Monte Hellman, 2010) [EUA]
\nRide in the Whirlwind<\/em> (Monte Hellman, 1966) [EUA]
\nThe Shooting<\/em> (Monte Hellman, 1966) [EUA]
\nBells Are Ringing<\/a><\/strong> <\/em>(Vincente Minnelli, 1960) [EUA]
\nThe Long, Long Trailer<\/em> (Vincente Minnelli, 1954) [EUA]<\/p>\n

Peter Thompson<\/a><\/u> [EUA]<\/strong><\/p>\n

Lowlands<\/a><\/strong> <\/em>(2009)
\nEl movimiento<\/a><\/strong> <\/em>(2003)
\nUniversal Citizen<\/a><\/strong><\/em> (1987)
\nUniversal Hotel<\/a><\/strong><\/em> (1986)
\nTwo Portraits<\/a><\/strong><\/em> (1982)<\/p>\n

Sing kung chok tse sup yut tam<\/em> (Herman Yau, 2007) [Hong Kong]
\nRadio On<\/a><\/strong> <\/em>(Christopher Petit, 1979) [Reino Unido]
\nCome Early Morning <\/em>(Joey Lauren Adams, 2006) [EUA]
\nOn Dangerous Ground <\/em>(Nicholas Ray, Ida Lupino, 1951) [EUA]
\nMei li zai chang ge<\/em> (Lin Cheng-sheng, 1997) [Taiw\u00e1n]
\nC’est la tangente que je pr\u00e9f\u00e8re <\/em>(Charlotte Silvera, 1997) [Francia]
\nEmbrujo<\/em> (Carlos Serrano de Osma, 1947) [Espa\u00f1a]
\nA MAL GAM A<\/em> (Iv\u00e1n Zulueta, 1976) [Espa\u00f1a]<\/p>\n

James Bridges<\/u> [EUA]<\/strong><\/p>\n

Bright Lights, Big City<\/em> (1988)
\nPerfect<\/em> (1985)
\nMike’s Murder <\/em>(1984)
\nUrban Cowboy<\/em> (1980)
\nThe China Syndrome<\/em> (1979)
\nSeptember 30, 1955<\/em> (1977)<\/p>\n

Nothing But a Man<\/em> (Michael Roemer, 1964) [EUA]
\nHuman Touch <\/em>(Paul Cox, 2004) [Australia]
\nHerzsprung<\/a><\/strong> <\/em>(Helke Misselwitz, 1992) [Alemania]
\nBrussels by Night<\/em> (Marc Didden, 1983) [B\u00e9lgica]
\nMitsugetsu<\/em> (H\u00f4jin Hashiura, 1984) [Jap\u00f3n]
\nJapanese Story<\/em> (Sue Brooks, 2003) [Australia]
\n3 Backyards <\/em>(Eric Mendelsohn, 2010) [EUA]
\nJudy Berlin<\/em> (Eric Mendelsohn, 1999) [EUA]
\nHarry & Son<\/em> (Paul Newman, 1984) [EUA]
\nThe Effect of Gamma Rays on Man-in-the-Moon Marigolds<\/em> (Paul Newman, 1972) [EUA]
\nRachel, Rachel<\/em> (Paul Newman, 1968) [EUA]<\/p>\n

Ulu Grosbard [EUA]<\/u><\/strong><\/p>\n

The Deep End of the Ocean <\/em>(1999)
\nGeorgia <\/em>(1995)
\nStraight Time<\/a><\/strong> <\/em>(1978)
\nWho Is Harry Kellerman and Why Is He Saying Those Terrible Things about Me? <\/em>(1971)
\nThe Subject Was Roses<\/em> (1968)<\/p>\n

***<\/p>\n

\"Georgia
Georgia<\/em> (Ulu Grosbard, 1995)<\/figcaption><\/figure>\n

***<\/p>\n

Trilog\u00eda Cavale<\/em>, Un couple \u00e9patant<\/em>, Apr\u00e8s la vie<\/em> (Lucas Belvaux, 2002) [Francia]
\nEastern Promises<\/a><\/strong> <\/em>(David Cronenberg, 2007) [Reino Unido]
\nLove Letters<\/em> (Amy Holden Jones,1983) [EUA]
\nShe\u2019s Funny That Way <\/em>(Peter Bogdanovich, 2014) [EUA]
\nThey All Laughed<\/em> (Peter Bogdanovich, 1981) [EUA]
\n<\/u><\/strong>Monte Carlo <\/em>(Thomas Bezucha, 2011) [EUA]
\nThe Family Stone<\/em> (Thomas Bezucha, 2005) [EUA]
\nBig Eden<\/em> (Thomas Bezucha, 2000) [EUA]
\nSupport the Girls<\/em> (Andrew Bujalski, 2018) [EUA]
\nResults<\/em> (Andrew Bujalski, 2015) [EUA]
\nRoute One\/USA<\/em> (Robert Kramer, 1989) [EUA]
\nDoc’s Kingdom<\/em> (Robert Kramer, 1987) [Francia]
\nNotre nazi <\/em>(Robert Kramer, 1984) [Francia, Rep\u00fablica Federal Alemana]
\nMilestones<\/a><\/strong> <\/em>(Robert Kramer, John Douglas, 1975) [EUA]
\nWundkanal <\/em>(Thomas Harlan, 1984) [Francia, Rep\u00fablica Federal Alemana]
\nMamma Roma<\/a><\/strong> <\/em>(Pier Paolo Pasolini, 1962) [Italia]
\nEcologia del delitto <\/em>(Mario Bava, 1971) [Italia]
\nBlue Sky<\/em> (Tony Richardson, 1994) [EUA]
\nThe Hotel New Hampshire<\/em> (Tony Richardson,1984) [EUA]
\nThe Whales of August<\/a><\/strong> <\/em>(Lindsay Anderson, 1987) [EUA]<\/p>\n

Alain Resnais<\/u> [Francia]<\/strong><\/p>\n

Aimer, boire et chanter<\/em> (2014)
\nVous n’avez encore rien vu<\/em> (2012)
\nLes herbes folles<\/em> (2009)
\nCoeurs<\/em> (2006)
\nPas sur la bouche<\/em> (2003)
\nOn conna\u00eet la chanson<\/em> (1997)
\nSmoking\/No Smoking<\/em> (1993)
\nM\u00e9lo<\/em> (1986)
\nMuriel ou le temps d’un retour <\/em>(1963)<\/p>\n

Trigger<\/em> (Bruce McDonald, 2010) [Canad\u00e1]
\nLove’s Labour’s Lost <\/em>(Kenneth Branagh, 2000) [Reino Unido]
\nBroken English<\/em> (Zoe R. Cassavetes, 2007) [EUA]
\nHitlerkantate<\/em> (Jutta Br\u00fcckner, 2005) [Alemania]
\nHungerjahre – in einem reichen Land<\/em> (Jutta Br\u00fcckner, 1980) [Rep\u00fablica Federal Alemana]
\nAssassination Tango <\/em>(Robert Duvall, 2002) [EUA]<\/p>\n

***<\/p>\n

\"Assassination
Assassination Tango<\/em> (Robert Duvall, 2002)<\/figcaption><\/figure>\n

***<\/p>\n

Victor Nunez<\/u> [EUA]
\n<\/u><\/strong>
\nSpoken Word<\/em> (2009)
\nCoastlines<\/em> (2002)
\nUlee’s Gold<\/em> (1997)
\nA Flash of Green<\/em> (1984)
\nGal Young ‘Un<\/em> (1979)<\/p>\n

Faryad moorcheha<\/em> (Mohsen Makhmalbaf, 2007) [Ir\u00e1n]
\nSex o phalsapheh <\/em>(Mohsen Makhmalbaf, 2005) [Tajikistan]
\nGabbeh<\/em> (Mohsen Makhmalbaf, 1996) [Ir\u00e1n]
\n\u00c9rz\u00e9kek iskol\u00e1ja<\/a><\/strong><\/em> (Andr\u00e1s S\u00f3lyom, 1996) [Hungr\u00eda]
\nSuspicious River<\/em> (Lynne Stopkewich, 2000) [Canad\u00e1]
\nKissed<\/a><\/strong><\/em> (Lynne Stopkewich, 1996) [Canad\u00e1]
\nTongues Untied<\/em> (Marlon Riggs, 1989) [EUA]
\nMoment by Moment <\/em>(Jane Wagner, 1978) [EUA]
\nCaught <\/em>(Robert M. Young, 1996) [EUA]
\nThe Ballad of Gregorio Cortez<\/em> (Robert M. Young, 1982) [EUA]
\nRich Kids<\/em> (Robert M. Young, 1979) [EUA]
\nAlambrista! <\/em>(Robert M. Young, 1977) [EUA]<\/p>\n

Hitoshi Yazaki<\/u> [Jap\u00f3n]<\/strong><\/p>\n

Sakura<\/em> (2020)
\nStill Life of Memories<\/em> (2018)
\nMubans\u00f4<\/em> (2016)
\nTaiy\u00f4 no suwaru basho<\/a><\/strong><\/em> (2014)
\nFurin jun’ai<\/em> (2011)
\nSu\u00eeto ritoru raizu<\/em> (2010)
\nStrawberry Shortcakes<\/em> (2006)
\nSangatsu no raion<\/em> (1991)
\nKazetachi no gogo <\/em>(1980)<\/p>\n

***<\/p>\n

\"Mubans\u00f4
Mubans\u00f4<\/em> (Hitoshi Yazaki, 2016)<\/figcaption><\/figure>\n

***<\/p>\n

Catene<\/em> (Raffaello Matarazzo, 1949) [Italia]
\nSmooth Talk <\/em>(Joyce Chopra, 1985) [Reino Unido]
\nWu Shan Yun Yu <\/em>(Zhang Ming, 1996) [China]
\nComment Yukong d\u00e9pla\u00e7a les montagnes<\/em> (Joris Ivens, Marceline Loridan Ivens, 1976) [Francia, China]
\nLe 17e parall\u00e8le: La guerre du peuple <\/em>(Joris Ivens, Marceline Loridan Ivens, 1968) [Francia, Vietnam del Norte]
\nRotterdam-Europoort<\/em> (Joris Ivens, 1966) [Pa\u00edses Bajos]
\n\u2026A Valpara\u00edso <\/em>(Joris Ivens, Chris Marker, 1963) [Chile, Francia]
\nClaudine <\/em>(John Berry, 1974) [EUA]<\/p>\n

Elaine May<\/u> [EUA]<\/u><\/strong><\/p>\n

Ishtar<\/em> (1987)
\nMikey and Nicky<\/strong> <\/a><\/em>(1976)
\nThe Heartbreak Kid<\/em> (1972)
\nA New Leaf<\/em> (1971)<\/p>\n

When Will I Be Loved<\/em> (James Toback, 2004) [EUA]
\nMon coeur est rouge<\/em> (Mich\u00e8le Rosier, 1976) [Francia]
\nHens\u00f4kyoku<\/a><\/strong> <\/em>(K\u00f4 Nakahira, 1976) [Jap\u00f3n]
\nGetsuy\u00f4bi no Yuka<\/em> (K\u00f4 Nakahira, 1964) [Jap\u00f3n]
\nStrangers in Good Company<\/a><\/strong><\/em> [The Company of Strangers<\/em>] (Cynthia Scott, 1990)<\/p>\n

Alan Rudolph<\/a><\/strong><\/u> [EUA]<\/strong>\u00a0<\/strong><\/p>\n

Ray Meets Helen<\/a><\/a><\/strong> <\/em>(2017)
\nThe Secret Lives Of Dentists<\/em> (2002)
\nInvestigating Sex<\/a><\/strong><\/em> [Intimate Affairs<\/em>] (2001)
\nTrixie<\/a><\/strong><\/em> (2000)
\nBreakfast of Champions<\/em> (1999)
\nAfterglow<\/em> (1997)
\nMrs. Parker and the Vicious Circle<\/a><\/strong><\/em> (1994)
\nEquinox<\/em> (1992)
\nMortal Thoughts<\/em> (1991)
\nLove at Large<\/em> (1990)
\nThe Moderns<\/em> (1988)
\nMade in Heaven<\/em> (1987)
\nTrouble in Mind<\/a><\/strong><\/em> (1985)
\nChoose Me<\/em> (1984)
\nRemember My Name<\/em> (1978)
\nWelcome to L.A.<\/em> (1976)<\/p>\n

Les beaux souvenirs <\/em>(Francis Mankiewicz, 1981) [Canad\u00e1]
\nCream in My Coffee<\/em> (Gavin Millar, Dennis Potter, 1980) [Reino Unido]
\nThe Whole Wide World<\/em> (Dan Ireland, 1996) [EUA]
\nDesperately Seeking Susan <\/em>(Susan Seidelman, 1985) [EUA]
\nSmithereens<\/em> (Susan Seidelman, 1982) [EUA]
\nSuburbia <\/em>(Penelope Spheeris, 1983) [EUA]
\nSaya no iru tousizu<\/em> (Akiyoshi Kimata, 1986) [Jap\u00f3n]
\nAnother Sky<\/em> (Gavin Lambert, 1954) [Reino Unido]
\nThe Narrow Margin<\/em> (Richard Fleischer, William Cameron Menzies, 1952) [EUA]
\nFresh Kill<\/em> (Shu Lea Cheang, 1994) [Reino Unido, EUA]<\/p>\n

Sarah Polley<\/u> [Canad\u00e1]<\/strong><\/p>\n

Stories We Tell<\/em> (2012)
\nTake This Waltz<\/em> (2011)
\nAway from Her <\/em>(2006)<\/p>\n

***<\/p>\n

\"Take
Take This Waltz<\/em> (Sarah Polley, 2011)<\/figcaption><\/figure>\n

***<\/p>\n

The Blood Oranges<\/em> (Philip Haas, 1997) [EUA]
\nAngels and Insects<\/em> (Philip Haas, 1995) [EUA]
\nThe Music of Chance<\/em> (Philip Haas, 1993) [EUA]
\nSunday in the Park with George <\/em>(Terry Hughes, Stephen Sondheim, 1986) [EUA]
\nIdentificazione di una donna <\/em>(Michelangelo Antonioni, 1982) [Italia]<\/p>\n

Ermanno Olmi<\/u> [Italia]<\/u><\/strong><\/p>\n

Torneranno i prati <\/em>(2014)
\nIl villaggio di cartone<\/em> (2011)
\nCentochiodi<\/em> (2007)
\nCantando dietro i paraventi <\/em>(2003)
\nIl mestiere delle armi <\/em>(2001)
\nLa leggenda del santo bevitore<\/em> (1988)
\nL’albero degli zoccoli<\/a><\/strong> <\/em>(1978)
\nI fidanzati <\/em>(1963)
\nIl posto<\/em> (1961)
\nIl tempo si \u00e8 fermato <\/em>(1959)<\/p>\n

Chunmeng<\/em> (Tian-yi Yang, 2013) [China]
\nSex and the Single Girl <\/em>(Richard Quine, 1964) [EUA]
\nStrangers When We Meet<\/em> (Richard Quine, 1960) [EUA]
\nDrive a Crooked Road<\/a><\/strong> <\/em>(Richard Quine, 1954) [EUA]
\nToo Late<\/em> (Dennis Hauck, 2015) [EUA]
\nMizu no koe wo kiku<\/em> (Masashi Yamamoto, 2014) [Jap\u00f3n]
\nRevolver<\/em> (Toshiya Fujita, 1988) [Jap\u00f3n]
\nDaburu beddo <\/em>(Toshiya Fujita, 1983) [Jap\u00f3n]<\/p>\n

Y\u00f4ichi Higashi<\/u> [Jap\u00f3n]<\/strong><\/p>\n

Dareka no mokkin<\/a><\/strong><\/em> (2016)
\nShimai Ky\u00f4en<\/em> (2011)
\nYoi ga sametara, uchi ni kaer\u00f4<\/em> (2010)
\nFuon<\/em> (2004)
\nWatashi no guranpa<\/em> (2003)
\nBoku no ojisan<\/em> (2000)
\nEno nakano bokuno mura<\/em> (1996)
\nHashi no nai kawa<\/em> (1992)
\nUreshi hazukashi monogatari<\/em> (1988)
\nKeshin<\/em> (1986)
\nSekando rabu<\/em> (1983)
\nJerash\u00ee g\u00eamu<\/em> (1982)
\nZa reipu<\/em> (1982)
\nManon<\/em> (1981)
\nRabu ret\u00e2<\/em> (1981)
\nShiki Natsuko<\/a><\/strong><\/em> (1980)
\nMo hozue wa tsukanai<\/em> (1979)
\nS\u00e2do<\/em> (1978)<\/p>\n

***<\/p>\n

\"Y\u00f4ichi
Y\u00f4ichi Higashi junto a la actriz Keiko Takahashi durante el rodaje de Rabu ret\u00e2 <\/em>(1981)<\/figcaption><\/figure>\n

***<\/p>\n

Setouchi munraito serenade<\/em> (Masahiro Shinoda, 1997) [Jap\u00f3n]
\nYari no Gonza<\/em> (Masahiro Shinoda, 1986) [Jap\u00f3n]
\nKaseki no mori<\/em> (Masahiro Shinoda, 1973) [Jap\u00f3n]
\nThe Duellists<\/a><\/strong> <\/em>(Ridley Scott, 1977) [Reino Unido]
\nVermischte Nachrichten<\/em> (Alexander Kluge, 1986) [Rep\u00fablica Federal Alemana]
\nDer Angriff der Gegenwart auf die \u00fcbrige Zeit <\/em>(Alexander Kluge, 1985) [Rep\u00fablica Federal Alemana]
\nDie Macht der Gef\u00fchle <\/em>(Alexander Kluge, 1983) [Rep\u00fablica Federal Alemana]<\/p>\n

Willi Forst<\/u> [Austria, Alemania y Rep\u00fablica Federal Alemana]<\/strong><\/p>\n

Die S\u00fcnderin<\/em> (1951)
\nAllotria<\/em> (1936)
\nMazurka<\/em> (1935)
\nMaskerade<\/a><\/strong><\/em> (1934)<\/p>\n

Char Adhyay<\/em> (Kumar Shahani, 1997) [India]
\nKasba<\/em> (Kumar Shahani, 1991) [India]
\nKhayal Gatha<\/em> (Kumar Shahani, 1989) [India]
\nHeartless<\/em> (Philip Ridley, 2009) [Reino Unido]
\nThe Passion of Darkly Noon<\/em> (Philip Ridley, 1995) [Reino Unido]
\nThe Reflecting Skin<\/em> (Philip Ridley, 1990) [Reino Unido]
\nMoonrise<\/em> (Frank Borzage, 1948) [EUA]
\nStrange Cargo <\/em>(Frank Borzage, 1940) [EUA]
\nThe Shining Hour<\/em> (Frank Borzage, 1938) [EUA]
\nAll the Vermeers in New York<\/em> (Jon Jost, 1990) [EUA]
\nForce of Evil<\/em> (Abraham Polonsky, 1948) [EUA]<\/p>\n

Shinji S\u00f4mai<\/u> [Jap\u00f3n]<\/strong><\/p>\n

Kaza-hana <\/em>(2000)
\nOhikkoshi <\/em>(1993)
\nT\u00f4ky\u00f4 j\u00f4k\u00fb irasshaimase <\/em>(1990)
\nYuki no dansho – jonetsu <\/em>(1985)
\nRabu hoteru<\/a><\/strong> <\/em>(1985)
\nTaif\u00fb kurabu<\/a><\/strong> <\/em>(1985)
\nGyoei no mure<\/em> (1983)
\nS\u00ear\u00e2-fuku to kikanj\u00fb<\/em> (1981)<\/p>\n

Himatsuri<\/em> (Mitsuo Yanagimachi, 1985) [Jap\u00f3n]
\nAmagi goe<\/em> (Haruhiko Mimura, 1983) [Jap\u00f3n]
\nChichi yo haha yo!<\/em> (Keisuke Kinoshita, 1980) [Jap\u00f3n]
\nYumechiyo nikki<\/em> (Kirio Urayama, 1985) [Jap\u00f3n]
\nAnshitsu<\/a><\/strong><\/em> (Kirio Urayama, 1983) [Jap\u00f3n]
\nUna donna libera<\/em> (Vittorio Cottafavi, 1954) [Italia]
\nKhang lang phap <\/em>(Cherd Songsri, 2001) [Tailandia]
\nAmdaeng Muen kab nai Rid <\/em>(Cherd Songsri, 1994) [Tailandia]
\n<\/p>\n

Hiroshi Shimizu<\/u> [Jap\u00f3n]<\/strong><\/p>\n

Odoriko <\/em>(1957)
\nTokai no yokogao <\/em>(1953)
\nKanzashi <\/em>(1941)
\nAnma to onna <\/em>(1938)
\nArigat\u00f4-san <\/em>(1936)
\nMinato no Nihonmusume<\/em>(1933)<\/p>\n

Yume no ginga<\/em> (Gakury\u00fb Ishii, 1997) [Jap\u00f3n]
\nMizu no naka no hachigatsu<\/em> (Gakury\u00fb Ishii, 1995) [Jap\u00f3n]
\nMoratoriamu Tamako<\/em> (Nobuhiro Yamashita, 2013) [Jap\u00f3n]
\nLinda Linda Linda<\/em> (Nobuhiro Yamashita, 2005) [Jap\u00f3n]
\nMiracle Mile<\/em> (Steve De Jarnatt, 1988) [EUA]
\nMorir… dormir… tal vez so\u00f1ar<\/em> (Manuel Mur Oti, 1976) [Espa\u00f1a]
\nL’espoir <\/em>[Sierra de Teruel<\/em>] (Andr\u00e9 Malraux, Boris Peskine, 1949) [Espa\u00f1a]
\nBanka<\/em> (Heinosuke Gosho, 1957) [Jap\u00f3n]
\nOsaka no yado <\/em>(Heinosuke Gosho, 1954) [Jap\u00f3n]
\nLeo <\/em>(Jos\u00e9 Luis Borau, 2000) [Espa\u00f1a]
\nLa Sabina<\/em> (Jos\u00e9 Luis Borau, 1979) [Espa\u00f1a]
\nHay que matar a B.<\/em> (Jos\u00e9 Luis Borau, 1975) [Espa\u00f1a]
\nVictor\/Victoria<\/em> (Blake Edwards, 1982) [EUA]
\n10<\/em> (Blake Edwards, 1979) [EUA]
\nSomething, Anything<\/a><\/strong> <\/em>(Paul Harrill, 2014) [EUA]<\/p>\n

Noah Buschel<\/a><\/u> [EUA]<\/strong><\/p>\n

The Man in the Woods<\/a><\/strong><\/em> (2020)
\nThe Phenom<\/em> (2016)
\nGlass Chin<\/a><\/strong><\/em> (2014)
\nSparrows Dance<\/em> (2012)
\nThe Missing Person<\/em> (2009)
\nNeal Cassady<\/em> (2007)<\/p>\n

Thirteen Conversations About One Thing<\/em> (Jill Sprecher, 2002) [EUA]
\nClockwatchers<\/em> (Jill Sprecher, 1997) [EUA]
\nSleepwalk<\/em> (Sara Driver, 1986) [EUA]
\nLa condanna <\/em>(Marco Bellocchio, 1990) [Italia]
\nEl \u00faltimo caballo<\/em> (Edgar Neville, 1950) [Espa\u00f1a]
\nLes deux orphelines vampires<\/em> (Jean Rollin, 1997) [Francia]
\nLes paum\u00e9es du petit matin<\/a><\/strong> <\/em>(Jean Rollin, 1981) [Francia]
\nBellamy<\/em> (Claude Chabrol, 2009) [Francia]
\nUncovered<\/em> (Jim McBride, 1994) [Reino Unido]
\nBreathless<\/em> (Jim McBride, 1983) [EUA]
\nGohatto<\/em> (Nagisa \u00d4shima, 1999) [Jap\u00f3n]
\nGishiki<\/em> (Nagisa \u00d4shima, 1971) [Jap\u00f3n]
\nTokyo senso sengo hiwa<\/em> (Nagisa \u00d4shima, 1970) [Jap\u00f3n]<\/p>\n

K\u00f4ji Wakamatsu<\/u> [Jap\u00f3n]<\/strong><\/p>\n

Kaien Hoteru \u00b7 bur\u00fb <\/em>(2012)
\n17-sai no f\u00fbkei – sh\u00f4nen wa nani o mita no ka <\/em>(2004)
\nEndoresu warutsu<\/em> (1995)
\nMizu no nai p\u00fbru<\/em> (1982)
\nSeibo Kannon daibosatsu<\/em> (1977)
\nTenshi no k\u00f4kotsu<\/em> (1972)
\nSekigun-PFLP: Sekai senso sengen<\/em> (con Masao Adachi, 1971)<\/p>\n

***<\/p>\n

\"Mizu
Mizu no nai p\u00fbru<\/em> (K\u00f4ji Wakamatsu, 1982)<\/figcaption><\/figure>\n

***<\/p>\n

Danjiki geinin<\/em> (Masao Adachi, 2016) [Jap\u00f3n]
\nY\u00fbheisha – terorisuto<\/em> (Masao Adachi, 2007) [Jap\u00f3n]
\nFunshutsu kigan – 15-sai no baishunfu <\/em>(Masao Adachi, Haruhiko Arai, 1971) [Jap\u00f3n]
\nNihon Kaiho sensen: Sanrizuka no natsu<\/em> (Shinsuke Ogawa, 1968) [Jap\u00f3n]
\nTrilog\u00eda BRD<\/em> (Rainer Werner Fassbinder): Die Ehe der Maria Braun<\/em> (1979), Lola<\/em> (1981), Die Sehnsucht der Veronika Voss <\/em>(1982) [Rep\u00fablica Federal Alemana]
\nMartha<\/em> (Rainer Werner Fassbinder, 1974) [Rep\u00fablica Federal Alemana]
\nWhity <\/em>(Rainer Werner Fassbinder, 1971) [Rep\u00fablica Federal Alemana]
\nNaniwa erej\u00ee <\/em>(Kenji Mizoguchi, 1936) [Jap\u00f3n]
\nDesert Hearts<\/em> (Donna Deitch, 1985) [EUA]
\nLa miniserie Mist\u00e9rios de Lisboa<\/em> (Raoul Ruiz, 2011) [Portugal]
\nThe Golden Boat<\/em> (Raoul Ruiz, 1990) [EUA]
\n<\/p>\n

Adoor Gopalakrishnan<\/u> [India]<\/strong><\/p>\n

Naalu Pennungal<\/em> (2007)
\nNizhalkuthu<\/em> (2002)
\nKathapurushan<\/em> (1996)
\nVidheyan <\/em>(1994)
\nMathilukal <\/em>(1990)
\nAnantaram<\/em> (1987)
\nElippathayam<\/em> (1982)<\/p>\n

***<\/p>\n

\"1
\n

\"2
Vidheyan<\/em> (Adoor Gopalakrishnan, 1994)<\/figcaption><\/figure><\/p>\n

***<\/p>\n

D\u00f4tonborigawa <\/em>(Kinji Fukasaku, 1982) [Jap\u00f3n]
\nLa Carmen <\/em>(Julio Diamante, 1976) [Espa\u00f1a]
\nTodos somos necesarios<\/em> (Jos\u00e9 Antonio Nieves Conde, 1956) [Espa\u00f1a]
\nThe Coca-Cola Kid <\/em>(Dusan Makavejev, 1985) [Australia]
\nSweet Movie<\/em> (Dusan Makavejev, 1974) [Canad\u00e1]
\nI Can’t Think Straight<\/em> (Shamim Sarif, 2008) [Reino Unido]
\nSilip<\/em> (Elwood Perez, 1985) [Filipinas]
\nPetulia <\/em>(Richard Lester, 1968) [Reino Unido]<\/p>\n

Nicolas Roeg<\/u> [Reino Unido, Australia y EUA]<\/strong><\/p>\n

Track 29<\/em> (1988)
\nInsignificance<\/em> (1985)
\nEureka<\/em> (1983)
\nBad Timing <\/em>(1980)
\nThe Man Who Fell to Earth <\/em>(1976)
\nDon’t Look Now<\/em> (1973)
\nWalkabout <\/em>(1971)
\nPerformance <\/em>(con Donald Cammell, 1970)<\/p>\n

White of the Eye<\/em> (Donald Cammell, 1987) [Reino Unido]
\nLaitakaupungin valot<\/em> (Aki Kaurism\u00e4ki, 2006) [Finlandia]
\nVivement dimanche!<\/em> (Fran\u00e7ois Truffaut, 1983 [Francia]
\nQue le diable nous emporte<\/em> (Jean-Claude Brisseau, 2018) [Francia]
\nL’ange noir <\/em>(Jean-Claude Brisseau, 1994) [Francia]
\nUne si jolie petite plage<\/em> (Yves All\u00e9gret, 1949) [Francia]
\nAtlantic City<\/em> (Louis Malle, 1980) [Canad\u00e1]
\nCet obscur objet du d\u00e9sir <\/em>(Luis Bu\u00f1uel, 1977) [Francia]
\nRobinson Crusoe<\/em> (Luis Bu\u00f1uel, 1954) [M\u00e9xico, EUA]
\n\u00c9variste Galois<\/em> (Alexandre Astruc, 1965) [Francia]
\nBless Their Little Hearts<\/em> (Billy Woodberry, 1984) [EUA]
\nDie Legende von Paul und Paula <\/em>(Heiner Carow, 1973) [Rep\u00fablica Democr\u00e1tica Alemana]<\/p>\n

Rudolf Thome<\/u> [Alemania y Rep\u00fablica Federal Alemana]<\/strong>\u00a0<\/strong><\/p>\n

Trilog\u00eda Zeitreisen<\/em>: Rot und Blau<\/em> (2003), Frau f\u00e4hrt, Mann schl\u00e4ft<\/em> (2004), Rauchzeichen<\/em> (2006)<\/a><\/strong>
\nIns Blaue<\/em> (2012)
\nDas rote Zimmer<\/em> (2010)
\nPink<\/em> (2009)
\nDas Sichtbare und das Unsichtbare<\/em> (2007)
\nDu hast gesagt, dass du mich liebst <\/em>(2006)
\nVenus Talking<\/em> (2001)
\nParadiso \u2013 Sieben Tage mit sieben Frauen<\/em> (2000)
\nJust Married<\/em> (1998)
\nTigerstreifenbaby wartet auf Tarzan <\/em>(1998)
\nDas Geheimnis<\/em> (1995)
\nSieben Frauen <\/em>(1989)
\nDer Philosoph<\/a><\/strong><\/em> (1989)
\nDas Mikroskop <\/em>(1988)
\nTarot<\/em> (1986)
\nSystem ohne Schatten<\/em> (1983) [1]<\/a><\/strong> [2]<\/a><\/strong><\/strong>
\nBerlin Chamissoplatz<\/a><\/em><\/strong><\/em> (1980)
\nMade in Germany und USA<\/em> (1974)
\nSupergirl \u2013 Das M\u00e4dchen von den Sternen <\/em>(1971)
\nRote Sonne<\/em> (1970)<\/p>\n

L\u2019Atlantide<\/em> (Georg Wilhelm Pabst, 1932) [Alemania]
\nThe Uninvited<\/em> (Lewis Allen, 1944) [EUA]
\nBattlecreek<\/em> (Alison Eastwood, 2017) [EUA]
\nMaria’s Lovers<\/em> (Andrei Konchalovsky, 1984) [EUA]
\nHito no sekkusu o warauna<\/em> (Nami Iguchi, 2007) [Jap\u00f3n]<\/p>\n

Andr\u00e9 Delvaux<\/u> [B\u00e9lgica]<\/strong><\/p>\n

L’oeuvre au noir <\/em>[De terugkeer naar Brugge<\/em>] (1988)
\nBenvenuta <\/em>(1985)
\nBelle<\/em> (1973)
\nRendez-vous \u00e0 Bray<\/em> (1971)
\nUn soir, un train <\/em>(1968)
\nDe man die zijn haar kort liet knippen<\/a><\/strong><\/em> (1965)<\/p>\n

Housekeeping<\/a><\/strong><\/em> (Bill Forsyth, 1987) [EUA]
\nL\u2019idole<\/em> (Samantha Lang, 2002) [Francia]
\nThe Monkey’s Mask<\/em> (Samantha Lang, 2000) [Australia]
\nThe Well<\/em> (Samantha Lang, 1997) [Australia]
\nCelia<\/em> (Ann Turner, 1989) [Australia]<\/p>\n

Joan Micklin Silver<\/u> [EUA]<\/strong><\/p>\n

<\/u>A Fish in the Bathtub<\/em> (1998)
\nCrossing Delancey<\/em> (1988)
\nChilly Scenes of Winter<\/em> (1979)
\nBetween the Lines<\/em> (1977)
\nBernice Bobs Her Hair<\/em> (1976)
\nHester Street<\/em> (1975)<\/p>\n

***<\/p>\n

\"Crossing
Crossing Delancey<\/em> (Joan Micklin Silver, 1988)<\/figcaption><\/figure>\n

***<\/p>\n

Just Another Girl on the I.R.T. <\/em>(Leslie Harris, 1992) [EUA]
\nO Vigilante <\/em>(Ozualdo Ribeiro Candeias, 1992) [Brasil]
\nLa face cach\u00e9e de la lune<\/em> (Robert Lepage, 2003) [Canad\u00e1]
\nDiary of an African Nun <\/em>(Julie Dash, 1977) [EUA]
\nHeart Beat<\/em> (John Byrum, 1980) [EUA]
\nNew Waterford Girl <\/em>(Allan Moyle, 1999) [Canad\u00e1]
\nTwo Moon Junction<\/em> (Zalman King, 1988) [EUA]
\nWest Indies<\/em> (Med Hondo, 1979) [Francia, Argelia, Mauritania]
\nAmma Ariyan <\/em>(John Abraham, 1986) [India]<\/p>\n

Mani Kaul<\/u> [India]<\/strong><\/p>\n

The Cloud Door<\/em> (1994)
\nNazar <\/em>(1990)
\nMati Manas<\/em> (1985)
\nDuvidha <\/em>(1973)<\/p>\n

Les jeux de la Comtesse Dolingen de Gratz<\/em> (Catherine Binet, 1981) [Francia]
\nSauve qui peut (la vie)<\/a><\/strong><\/em> (Jean-Luc Godard, 1980) [Francia]
\nIci et ailleurs<\/a><\/strong><\/em> (Groupe Dziga Vertov, 1976) [Francia]
\nL’automne <\/em>(Marcel Hanoun, 1972) [Francia]
\nLe printemps<\/em> (Marcel Hanoun, 1970) [Francia]
\nL’hiver <\/em>(Marcel Hanoun, 1969) [Francia]
\nL’\u00e9t\u00e9 <\/em>(Marcel Hanoun, 1968) [Francia]
\nCap Canaille<\/em> (Juliet Berto, Jean-Henri Roger, 1983) [Francia]
\nNeige <\/em>(Juliet Berto, Jean-Henri Roger, 1981) [Francia]
\nComing Soon <\/em>(Colette Burson, 1999) [EUA]
\nGo Fish<\/em> (Rose Troche, 1994) [EUA]
\nMaeve <\/em>(Pat Murphy, 1981) [Irlanda, Reino Unido]<\/p>\n

Patricia Rozema<\/u> [Canad\u00e1 y Reino Unido]<\/strong><\/p>\n

Mouthpiece<\/em> (2018)
\nInto the Forest <\/em>(2015)
\nThis Might Be Good <\/em>(2000)
\nMansfield Park<\/em> (1999)
\nWhen Night Is Falling<\/a><\/strong><\/em> (1995)
\nWhite Room <\/em>(1990)
\nI’ve Heard the Mermaids Singing<\/em> (1987)<\/p>\n

Karin M\u00e5nsdotter<\/em> (Alf Sj\u00f6berg, 1954) [Suecia]
\nDet speglar i mitt \u00f6ga <\/em>(Nina Hedenius, 1992) [Suecia]
\nGro\u00dfe M\u00e4dchen weinen nicht<\/em> (Maria von Heland, 2002) [Alemania]
\nClose My Eyes <\/em>(Stephen Poliakoff, 1991) [Reino Unido]
\nCroupier <\/em>(Mike Hodges, 1998) [Reino Unido]
\nVictoria <\/em>(Bo Widerberg, 1979) [Suecia]
\nJoe Hill<\/em> (Bo Widerberg, 1971) [Suecia]
\nKvarteret Korpen<\/em> (Bo Widerberg, 1963) [Suecia]
\nJag \u00e4r nyfiken – En film i bl\u00e5tt <\/em>(Vilgot Sj\u00f6man, 1968) [Suecia]
\nJag \u00e4r nyfiken – En film i gult <\/em>(Vilgot Sj\u00f6man, 1967) [Suecia]<\/p>\n

Jan Troell<\/u> [Suecia y EUA]<\/u><\/strong><\/p>\n

Dom \u00f6ver d\u00f6d man<\/em> (2012)
\nMaria Larssons eviga \u00f6gonblick <\/em>(2008)
\nS\u00e5 vit som en sn\u00f6 <\/em>(2001)
\nHamsun<\/em> (1996)
\nIl capitano<\/em> (1991)
\nSagolandet<\/em> (1988)
\nIngenj\u00f6r Andr\u00e9es luftf\u00e4rd<\/em> (1982)
\nBang!<\/em> (1977)
\nZandy’s Bride<\/em> (1974)
\nNybyggarna<\/em> (1972)
\nUtvandrarna<\/em> \u00a0(1971)
\nOle dole doff<\/em> (1968)
\nH\u00e4r har du ditt liv<\/em> (1966)
\nUppeh\u00e5ll i myrlandet<\/em> (1965)
\nSommart\u00e5g<\/em> (1961)
\nStad<\/em> (1958)<\/p>\n

***<\/p>\n

\"Sagolandet
Sagolandet<\/em> (Jan Troell, 1988)<\/figcaption><\/figure>\n

***<\/p>\n

Anchoress <\/em>(Chris Newby, 1993) [Reino Unido]
\nAlice in Wonderland<\/em> (Jonathan Miller, 1966) [Reino Unido]
\nSouth Solitary <\/em>(Shriley Barrett, 2010) [Australia]
\nLove Serenade <\/em>(Shirley Barrett, 1996) [Australia]<\/p>\n

John Duigan<\/a><\/u> [Australia, EUA y Reino Unido]<\/strong><\/p>\n

Careless Love<\/a><\/strong><\/em> (2012)
\nHead in the Clouds <\/em>(2004)
\nParanoid<\/em> (2000)
\nMolly<\/em> (1999)
\nLawn Dogs<\/a><\/strong><\/em> (1997)
\nThe Leading Man<\/em> (1996)
\nThe Journey of August King<\/em> (1995)
\nSirens<\/em> (1994)
\nWide Sargasso Sea<\/em> (1993)
\nFlirting<\/em> (1991)
\nRomero<\/a><\/strong><\/em> (1989)
\nThe Year My Voice Broke<\/em> (1987)
\nOne Night Stand <\/em>(1984)
\nWinter of Our Dreams<\/a><\/strong><\/em> (1981)
\nMouth to Mouth<\/em> (1978)<\/p>\n

All Over Me<\/em> (Alex Sichel, 1997) [EUA]
\nMitt hem \u00e4r Copacabana <\/em>(Arne Sucksdorff, 1965) [Suecia]
\nM\u00e4nniskor i stad<\/em> (Arne Sucksdorff, 1947) [Suecia]
\nIs-slottet<\/em> (Per Blom, 1987) [Noruega]
\nBrandos Costumes <\/em>(Alberto Seixas Santos, 1975) [Portugal]<\/p>\n

Conor McPherson<\/u> [Irlanda]<\/strong><\/p>\n

The Eclipse<\/em> (2009)
\nThe Actors<\/em> (2003)
\nSaltwater <\/em>(2000)<\/p>\n

It’s My Turn <\/em>(Claudia Weill, 1980) [EUA]
\nGirlfriends <\/em>(Claudia Weill, 1978) [EUA]
\nDeutschland bleiche Mutter<\/em> (Helma Sanders-Brahms, 1980) [Rep\u00fablica Federal Alemana]
\nNeotpravlennoye pismo<\/a><\/a><\/strong><\/em> (Mikhail Kalatozov, 1960) [URSS]
\nKtor me yerkinq <\/em>(Henrik Malyan, 1980) [URSS]
\nNahapet<\/em> (Henrik Malyan, 1977) [URSS]
\nOlyan, mint otthon<\/em> (M\u00e1rta M\u00e9sz\u00e1ros, 1978) [Hungr\u00eda]
\nAmorosa <\/em>(Mai Zetterling, 1986) [Suecia]
\nDoktor Glas <\/em>(Mai Zetterling, 1968) [Suecia, Dinamarca]
\nThe Stone Boy<\/em> (Christopher Cain, 1984) [EUA]
\nWhat Happened Was\u2026 <\/em>(Tom Noonan, 1994) [EUA]<\/p>\n

David Mamet<\/u> [EUA]<\/strong><\/p>\n

Heist <\/em>(2001)
\nState and Main<\/em> (2000)
\nThe Winslow Boy<\/em> (1999)
\nThe Spanish Prisoner<\/em> (1997)
\nOleanna<\/em> (1994)
\nHomicide<\/em> (1991)
\nThings Change<\/em> (1988)
\nHouse of Games<\/a><\/strong><\/em> (1987)<\/p>\n

***<\/p>\n

\"House
House of Games<\/em> (David Mamet, 1987)<\/figcaption><\/figure>\n

***<\/p>\n

Flicka Och Hyacinter <\/em>(Hasse Ekman, 1950) [Suecia]
\nBurning an Illusion<\/em> (Menelik Shabazz, 1981) [Reino Unido]
\nGallivant <\/em>(Andrew Kotting, 1997) [Reino Unido]
\nAnnas Sommer<\/em> (Jeanine Meerapfel, 2001) [Alemania, Grecia, Espa\u00f1a]
\nFrantz Fanon: Black Skin, White Mask <\/em>(Isaac Julien, 1995) [Reino Unido]
\nYoung Soul Rebels<\/em> (Isaac Julien, 1991) [Reino Unido]
\nLooking for Langston <\/em>(Isaac Julien, 1989) [Reino Unido]
\n7 Women<\/a> <\/strong><\/em>(John Ford, 1966) [EUA]
\nThe Hurricane<\/em> (John Ford, 1937) [EUA]
\nPilgrimage<\/a> <\/strong><\/em>(John Ford, 1933) [EUA]
\nThe Naked Kiss<\/em> (Samuel Fuller, 1964) [EUA]
\nThe Crimson Kimono<\/em> (Samuel Fuller, 1959) [EUA]
\nForty Guns<\/a><\/strong><\/em> (Samuel Fuller, 1957) [EUA]
\nSunset Motel<\/em> (Eckhart Schmidt, 2003) [Alemania]<\/p>\n

Beno\u00eet Jacquot<\/u> [Francia]<\/strong><\/p>\n

Suzanna Andler<\/em> (2021)
\nAu fond des bois <\/em>(2010)
\nVilla Amalia<\/em> (2009)
\nL’intouchable <\/em>(2006)
\n\u00c0 tout de suite<\/em> (2004)
\nSade<\/em> (2000)
\nL’\u00e9cole de la chair <\/em>(1998)
\nLa fille seule <\/em>(1995)
\nLa d\u00e9senchant\u00e9e <\/em>(1990)<\/p>\n

Japan Japan <\/em>(Lior Shamriz, 2007) [Israel, Alemania]
\nLe bonheur<\/em> (Marcel L’Herbier, 1934) [Francia]
\nEldorado <\/em>(Marcel L’Herbier, 1921) [Francia]
\nToutes ces belles promesses <\/em>(Jean-Paul Civeyrac, 2003) [Francia]
\nSult<\/em> (Henning Carlsen, 1966) [Dinamarca]
\nLa prisonni\u00e8re<\/em> (Henri-Georges Clouzot, 1968) [Francia]
\nNouvelles, Nouvelles<\/em> (Olivier Godin, 2014) [Canad\u00e1]
\nLe champignon des Carpathes<\/a><\/strong><\/em> (Jean-Claude Biette, 1988) [Francia]
\nLoin de Manhattan<\/em> (Jean-Claude Biette, 1982) [Francia]
\nLe th\u00e9\u00e2tre des mati\u00e8res<\/em> (Jean-Claude Biette, 1977) [Francia]<\/p>\n

Jean-Claude Guiguet<\/u> [Francia]<\/strong>\u00a0<\/strong><\/p>\n

Les passagers<\/em> (1999)
\nLe mirage<\/em> (1992)
\nFaubourg St Martin<\/em> (1986)
\nLa visiteuse<\/em> (1981)
\nLes belles mani\u00e8res<\/em> (1978)<\/p>\n

Kagami no onna-tachi<\/a><\/strong> <\/em>(Yoshishige Yoshida, 2002) [Jap\u00f3n]
\nYoru no kawa<\/em> (K\u00f4zabur\u00f4 Yoshimura, 1956) [Jap\u00f3n]
\nKak\u00f4 no futari <\/em>(Haruhiko Arai, 2019) [Jap\u00f3n]
\nTin ngai hoi gok <\/em>(Lee Chi-Ngai, 1996) [Hong Kong]
\nChameleon Street <\/em>(Wendell B. Harris Jr., 1989) [EUA]
\nLosing Ground <\/em>(Kathleen Collins, 1982) [EUA]
\nMa jiang<\/em> (Edward Yang, 1996) [Taiw\u00e1n]
\nKong bu fen zi<\/a> <\/strong><\/em>(Edward Yang, 1986) [Taiw\u00e1n]
\nLa Paloma<\/em> (Daniel Schmid, 1974) [Suiza]
\nRepas de b\u00e9b\u00e9<\/em> (Louis Lumi\u00e8re, 1895) [Francia]<\/p>\n

Werner Schroeter<\/u> [Portugal, Francia, Alemania y Rep\u00fablica Federal Alemana]<\/strong><\/p>\n

Nuit de chien<\/em> (2008) [Portugal]
\nDeux<\/em> (2002) [Francia]
\nMalina<\/em> (1991) [Alemania]
\nDer Rosenk\u00f6nig<\/em> (1986) [Rep\u00fablica Federal Alemana]
\nPalermo oder Wolfsburg<\/em> (1980) [Rep\u00fablica Federal Alemana]
\nWillow Springs<\/em> (1973) [Rep\u00fablica Federal Alemana]<\/p>\n

Tous les gar\u00e7ons et les filles de leur \u00e2ge: Travolta et moi<\/em> (Patricia Mazuy, 1994) [Francia]
\nLove is a Many-Splendored Thing<\/em> (Henry King, 1955) [EUA]
\nThe Gunfighter<\/em> (Henry King, 1950) [EUA]
\nJesse James<\/a><\/strong> <\/em>(Henry King, 1939) [EUA]
\nAkai hashi no shita no nurui mizu <\/em>(Sh\u00f4hei Imamura, 2001) [Jap\u00f3n]
\nLast of the Comanches <\/em>(Andr\u00e9 De Toth, 1953) [EUA]
\nPitfall <\/em>(Andr\u00e9 De Toth, 1948) [EUA]
\nRamrod<\/em> (Andr\u00e9 De Toth, 1947) [EUA]
\nCiclo Ranown<\/em>, Budd Boetticher – Randolph Scott (1956-1960) [EUA]
\nMuna Moto <\/em>(Jean-Pierre Dikongue-Pipa, 1975) [Camer\u00fan]
\nLa nuit des espions<\/em> (Robert Hossein, 1959) [Francia]
\nEssere donne<\/em> (Cecilia Mangini, 1965) [Italia]
\nVamps<\/em> (Amy Heckerling, 2012) [EUA]<\/p>\n

Albert Brooks<\/u> [EUA]<\/strong><\/p>\n

<\/u>Looking for Comedy in the Muslim World<\/em> (2006)
\nThe Muse<\/em> (1999)
\nMother<\/em> (1996)
\nDefending Your Life<\/a><\/strong><\/em> (1991)
\nLost in America<\/a><\/strong><\/em> (1985) [1]<\/a><\/strong>
\nModern Romance<\/em> (1981)<\/p>\n

***<\/p>\n

\"Looking
Looking for Comedy in the Muslim World<\/em> (Albert Brooks, 2005)<\/figcaption><\/figure>\n

***<\/p>\n

The Man in the Moon <\/em>(Robert Mulligan, 1991) [EUA]
\nClara’s Heart<\/em> (Robert Mulligan, 1988) [EUA]
\nThe Stalking Moon<\/em> (Robert Mulligan, 1968)\u00a0 [EUA]
\nRestless<\/em> (Amos Kollek, 2008) [Israel]
\nHappy End<\/em> [Nowhere to Go But Up<\/em>] (Amos Kollek, 2003) [Francia]
\nFast Food Fast Women <\/em>(Amos Kollek, 2000) [EUA]
\nSue<\/em> (Amos Kollek, 1997) [EUA]
\nYes <\/em>(Sally Potter, 2004) [Reino Unido]
\nUmibe no Ria<\/em> (Masahiro Kobayashi, 2017) [Jap\u00f3n]
\nFlic <\/em>(Masahiro Kobayashi, 2005) [Jap\u00f3n]
\nClosing Time <\/em>(Masahiro Kobayashi, 2005) [Jap\u00f3n]
\nCharlotte Sometimes<\/em> (Eric Byler, 2002) [EUA]
\nLicorice Pizza<\/a><\/strong><\/em> (Paul Thomas Anderson, 2021) [EUA]
\nBreezy<\/em> (Clint Eastwood, 1973) [EUA]
\nMen Don\u2019t Leave<\/em> (Paul Brickman, 1990) [EUA]
\nThe Cake Eaters<\/em> (Mary Stuart Masterson, 2007) [EUA]<\/p>\n

John Sayles<\/u> [EUA]<\/u><\/strong><\/p>\n

Honeydripper<\/em> (2007)
\nCasa de los Babys<\/em> (2003)
\nSunshine State<\/em> (2002)
\nLimbo<\/em> (1999)
\nMen with Guns <\/em>(1997)
\nLone Star<\/em> (1996)
\nThe Secret of Roan Inish<\/em> (1994)
\nBaby It’s You<\/em> (1983)<\/p>\n

Smorgasbord<\/em> (Jerry Lewis, 1983) [EUA]
\nA Time to Love and a Time to Die<\/em> (Douglas Sirk, 1958) [EUA]
\nOut of the Blue<\/a><\/strong> <\/em>(Dennis Hopper, 1980) [Canad\u00e1]
\nHuman Desire <\/em>(Fritz Lang, 1954) [EUA]
\nTrilog\u00eda Henry Fool<\/em>, Fay Grim<\/em>, Ned Rifle<\/a><\/strong><\/em> (Hal Hartley, 1997, 2006, 2014) [EUA]
\nAmateur<\/a><\/strong><\/em> (Hal Hartley, 1994) [EUA]<\/p>\n

Bernard Rose<\/u> [EUA y Reino Unido]<\/strong><\/p>\n

Boxing Day<\/em> (2012) [Tetralog\u00eda digital Le\u00f3n Tolst\u00f3i]
\n2 Jacks<\/em> (2012) [Tetralog\u00eda digital Le\u00f3n Tolst\u00f3i]
\nThe Kreutzer Sonata<\/em> (2008) [Tetralog\u00eda digital Le\u00f3n Tolst\u00f3i]
\nivans xtc. <\/em>(2000) [Tetralog\u00eda digital Le\u00f3n Tolst\u00f3i]
\nPaperhouse <\/em>(1988)<\/p>\n

D\u00e9truire, dit-elle<\/a><\/strong> <\/em>(Marguerite Duras, 1969) [Francia]
\nLa m\u00fasica<\/em> (Marguerite Duras, Paul Seban, 1967) [Francia]
\nO Viajante <\/em>(Paulo C\u00e9sar Saraceni, 1998) [Brasil]
\nNew Rose Hotel<\/em> (Abel Ferrara, 1998) [EUA]
\nThe Blackout<\/em> (Abel Ferrara, 1997) [EUA]
\nAl primo soffio di vento<\/em> (Franco Piavoli, 2002) [Italia]<\/p>\n

Alberto Cima<\/a><\/u> [Italia]<\/strong><\/p>\n

Il Vecchio e la Ragazza<\/a><\/strong><\/em> (2014)
\nOnly Wave<\/a><\/strong><\/em> (2012)
\nPermission<\/a><\/strong><\/em> (2008)
\nSpot Latte<\/a><\/strong><\/em> (1981)
\nBrescia Quale?<\/strong><\/a><\/em> (1975)<\/p>\n

***<\/p>\n

\"Il
Il Vecchio e la Ragazza<\/em> (Alberto Cima, 2014)<\/figcaption><\/figure>\n

***<\/p>\n

Vai e Vem<\/em> (Jo\u00e3o C\u00e9sar Monteiro, 2003) [Portugal]
\nTrilog\u00eda Jo\u00e3o de Deus<\/em> (Jo\u00e3o C\u00e9sar Monteiro): Recorda\u00e7\u00f5es da Casa Amarela <\/em>(1989), A com\u00e9dia de Deus <\/em>(1995), As bodas de Deus <\/em>(1999) [Portugal]
\nO \u00faltimo mergulho <\/em>(Jo\u00e3o C\u00e9sar Monteiro, 1992) [Portugal]
\n\u00c0 flor do mar <\/em>(Jo\u00e3o C\u00e9sar Monteiro, 1986) [Portugal]
\nMaine Oc\u00e9an <\/em>(Jacques Rozier, 1986) [Francia]
\nWorking Girls <\/em>(Lizzie Borden, 1986) [EUA]
\nFrench Cancan <\/em>(Jean Renoir, 1955) [Francia]
\nThe Woman on the Beach<\/a><\/strong><\/em> (Jean Renoir, 1947) [EUA]
\nMontana Belle<\/em> (Allan Dwan, 1952) [EUA]
\nLove Streams<\/em> (John Cassavetes, 1984) [EUA]
\nArtists and Models<\/em> (Frank Tashlin, 1955) [EUA]
\nRuby Gentry<\/em> (King Vidor, 1952) [EUA]
\nOur Daily Bread <\/em>(King Vidor, 1934) [EUA]
\nDas Kino und der Tod<\/em> (Hartmut Bitomsky, 1988) [Rep\u00fablica Federal Alemana]
\nThe Naked Dawn<\/em> (Edgar G. Ulmer, 1955) [EUA]<\/p>\n

Whit Stillman<\/u> [EUA]
\n<\/u><\/strong>
\nLove & Friendship <\/em>(2016)
\nThe Cosmopolitans <\/em>(2014)
\nDamsels in Distress <\/em>(2011)
\nThe Last Days of Disco<\/a><\/strong> <\/em>(1998)
\nBarcelona <\/em>(1994)
\n<\/u><\/strong>Metropolitan <\/em>(1990)<\/p>\n

L\u2019ordre<\/em> (Jean-Daniel Pollet, 1973) [Francia]
\nM\u00e9diterran\u00e9e <\/em>(Jean-Daniel Pollet, Volker Schl\u00f6ndorff, 1963) [Francia]
\nScenes from Under Childhood<\/em> (Stan Brakhage, 1967-1970) [EUA]
\nAnticipation of the Night <\/em>(Stan Brakhage, 1958) [EUA]
\nChidambaram<\/em> (Govindan Aravindan, 1985) [India]
\nKummatty<\/em> (Govindan Aravindan, 1979) [India]
\nSho o suteyo machi e dey\u00f4<\/em> (Sh\u00fbji Terayama, 1971) [Jap\u00f3n]
\nChibusa yo eien nare<\/em> (Kinuyo Tanaka, 1955) [Jap\u00f3n]
\nBelle toujours<\/a><\/em><\/strong> (Manoel de Oliveira, 2006) [Portugal]
\nEspelho m\u00e1gico <\/em>(Manoel de Oliveira, 2005) [Portugal]
\nO princ\u00edpio da incerteza <\/em>(Manoel de Oliveira, 2002) [Francia]
\nO Convento<\/em> (Manoel de Oliveira, 1995) [Portugal, Francia]
\n‘Non’, ou A V\u00e3 Gl\u00f3ria de Mandar <\/em>(Manoel de Oliveira, 1990) [Portugal]<\/p>\n

Jean Gr\u00e9millon<\/u> [Francia]<\/strong><\/p>\n

L’amour d’une femme <\/em>(1953)
\nLe 6 juin \u00e0 l’aube<\/em> (1946)
\nLe ciel est \u00e0 vous <\/em>(1944)
\nLumi\u00e9re d\u2019\u00e9te<\/em> (1943)
\nRemorques <\/em>(1941)
\nGueule d’amour<\/em> (1937)<\/p>\n

***<\/p>\n

\"Le
Le ciel est \u00e0 vous<\/em> (Jean Gr\u00e9millon, 1944)<\/figcaption><\/figure>\n

***<\/p>\n

La vall\u00e9e<\/em> (Barbet Schroeder, 1972) [Francia]
\nMore<\/a><\/strong> <\/em>(Barbet Schroeder, 1969) [Francia]
\nNuits rouges<\/em> (Georges Franju, 1974) [Francia]
\nDante no es \u00fanicamente severo<\/em> (Jacinto Esteva, Joaquim Jord\u00e0, 1967) [Espa\u00f1a]
\nLes jours o\u00f9 je n\u2019existe pas<\/em> (Jean-Charles Fitoussi, 2002) [Francia]
\nLe gar\u00e7u<\/em> (Maurice Pialat, 1995) [Francia]
\nPasse ton bac d’abord<\/em> (Maurice Pialat, 1978) [Francia]
\nAdieu, plancher des vaches!<\/em> (Otar Iosseliani, 1999) [Francia]
\nSome Call It Loving<\/em> (James B. Harris, 1973) [EUA]
\nIrezumi <\/em>(Yoichi Takabayashi, 1982) [Jap\u00f3n]
\nFleurs de sang <\/em>(Myriam M\u00e9zi\u00e8res, Alain Tanner, 2002) [Francia]
\nThe Exiles<\/em> (Kent MacKenzie, 1961) [EUA]<\/p>\n

Robert Altman<\/u> [EUA]<\/strong>\u00a0<\/em><\/p>\n

Dr. T. and the Women<\/em> (2000)
\nPr\u00eat-\u00e0-Porter <\/em>(1994)
\nFool for Love <\/em>(1985)
\nCome Back to the 5 & Dime, Jimmy Dean, Jimmy Dean<\/em> (1982)
\nPopeye<\/a><\/strong><\/em> (1980)<\/p>\n

Vechnoye vozvrashcheniye<\/em> (Kira Muratova, 2012) [Ucrania]
\nUvlecheniya<\/em> (Kira Muratova, 1994) [Rusia]
\nPoznavaya belyy svet <\/em>(Kira Muratova, 1978) [URSS]
\nUnfinished Business <\/em>(Gregory La Cava, 1941) [EUA]
\nGradiva<\/em> [C’est Gradiva qui vous appelle<\/em>] (Alain Robbe-Grillet, 2006) [Francia]
\nLa belle captive<\/em> (Alain Robbe-Grillet, 1983) [Francia]
\nL’immortelle <\/em>(Alain Robbe-Grillet, 1963) [Francia]
\nBez milosci <\/em>(Barbara Sass, 1980) [Polonia]
\nLe roman d’un tricheur<\/em> (Sacha Guitry, 1936) [Francia]
\nUn flic<\/em> (Jean-Pierre Melville, 1972) [Francia]
\nThe Legend of Lylah Clare<\/em> (Robert Aldrich, 1968) [EUA]
\nLa prima notte di quiete <\/em>(Valerio Zurlini, 1972) [Italia]
\nLa ragazza con la valigia<\/em> (Valerio Zurlini, 1961) [Italia]
\nEstate violenta<\/em> (Valerio Zurlini, 1959) [Italia]
\nBrasil<\/em> (Rog\u00e9rio Sganzerla, 1981) [Brasil]
\nMulher Oceano<\/a><\/em><\/strong> (Djin Sganzerla, 2020) [Brasil]
\nEles N\u00e3o Usam Black-Tie<\/em> (Leon Hirszman, 1981) [Brasil]<\/p>\n

Carlos Reichenbach<\/a><\/u> [Brasil]<\/strong><\/p>\n

Falsa loura<\/a><\/strong><\/em> (2007)
\nBens Confiscados<\/em> (2004)
\nGarotas do ABC<\/a><\/strong><\/em> (2003)
\nDois C\u00f3rregos – Verdades Submersas no Tempo<\/a><\/strong> <\/em>(1999)
\nAlma Cors\u00e1ria<\/em> (1993)
\nFilme Dem\u00eancia<\/em> (1986)<\/p>\n

Anatahan<\/em> (Josef von Sternberg, 1953) [Jap\u00f3n]
\nIo la conoscevo bene <\/em>(Antonio Pietrangeli, 1956) [Italia]
\nLa resa dei conti <\/em>(Sergio Sollima, 1967) [Italia]
\nThe Last of the Fast Guns<\/em> (George Sherman, 1958) [EUA]
\nTomahawk <\/em>(George Sherman, 1951) [EUA]
\nAlyonka<\/em> (Boris Barnet, 1961) [URSS]
\nU samogo sinego morya <\/em>(Boris Barnet, Samad Mardanov, 1936) [URSS]
\nStars in My Crown<\/em> (Jacques Tourneur, 1950) [EUA]
\nThe Big Combo <\/em>(Joseph H. Lewis, 1955) [EUA]
\nMorvern Callar<\/a><\/strong><\/em> (Lynne Ramsay, 2002) [Reino Unido]
\nRoutine Pleasures<\/em> (Jean-Pierre Gorin, 1986) [Francia]<\/p>\n

Michael Almereyda<\/u> [EUA]<\/strong>\u00a0<\/strong><\/p>\n

Tesla <\/em>(2020)
\nMarjorie Prime<\/em> (2017)
\nExperimenter <\/em>(2015)
\nCymbeline<\/em> (2014)
\nHappy Here and Now<\/a><\/strong><\/em> (2002)
\nThe Eternal<\/em> [Trance<\/em>] (1998)
\nNadja <\/em>(1995)
\nAnother Girl Another Planet <\/em>(1992)<\/p>\n

Meghe Dhaka Tara<\/em> (Ritwik Ghatak, 1960) [India]
\nModel Shop<\/em> (Jacques Demy, 1969) [EUA, Francia]
\nOnce Upon a Time\u2026 in Hollywood<\/strong><\/a><\/em> (Quentin Tarantino, 2019) [EUA]
\nCruel Intentions <\/em>(Roger Kumble, 1999) [EUA]
\nThe Hit<\/em> (Stephen Frears, 1984) [Reino Unido]
\nThree Businessmen<\/em> (Alex Cox, 1998) [Reino Unido]
\nRokugatsu no hebi<\/em> (Shin’ya Tsukamoto, 2002) [Jap\u00f3n]
\nThe Shout <\/em>(Jerzy Skolimowski, 1978) [Reino Unido]
\nCosmos<\/em> (Andrzej \u017bu\u0142awski, 2015) [Francial]
\nLa fid\u00e9lit\u00e9<\/a><\/strong><\/em> (Andrzej \u017bu\u0142awski, 2000) [Francia]<\/p>\n

Mike Nichols<\/u> [EUA]<\/strong><\/p>\n

Closer<\/em> (2004)
\nWhat Planet Are You From? <\/em>(2000)
\nPostcards from the Edge<\/em> (1990)
\nWorking Girl<\/em> (1988)
\nSilkwood<\/em> (1983)
\nCarnal Knowledge<\/em> (1971)<\/p>\n

Le monde vivant <\/em>(Eug\u00e8ne Green, 2003) [Francia]
\nUne femme en Afrique<\/em> (Raymond Depardon, 1985) [Francia]
\nOh\u2026 Rosalinda!! (<\/em>Michael Powell, Emeric Pressburger, 1955) [Reino Unido]
\nI Know Where I’m Going!<\/em> (Michael Powell, Emeric Pressburger, 1945) [Reino Unido]
\nSilk Stockings<\/em> (Rouben Mamoulian, 1957) [EUA]
\nThe Mark of Zorro <\/em>(Rouben Mamoulian, 1940) [EUA]
\n20-seiki nosutarujia<\/em> (Masato Hara, 1997) [Jap\u00f3n]
\nJesus’ Son<\/em> (Alison Maclean, 1999) [Canad\u00e1, EUA]
\nFata Morgana<\/em> (Vicente Aranda, 1965) [Espa\u00f1a]
\nRose la rose, fille publique<\/em> (Paul Vecchiali, 1986) [Francia]
\nThe Cement Garden<\/em> (Andrew Birkin, 1993) [Reino Unido]
\nSamt el qusur<\/em> (Moufida Tlatli, 1994) [T\u00fanez]
\nThe Matrix Resurrections <\/em>(Lana Wachowski, 2021) [EUA]
\nJupiter Ascending <\/em>(Lana Wachowski, Lilly Wachowski, 2015) [EUA]
\nCloud Atlas<\/em> (Tom Tykwer, Lana Wachowski, Lilly Wachowski, 2012) [EUA]
\nSpeed Racer <\/em>(Lana Wachowski, Lilly Wachowski, 2008) [EUA]<\/p>\n

Joss Whedon<\/u> [EUA]<\/strong>\u00a0<\/strong><\/p>\n

The Nevers<\/em> (2021)
\nMuch Ado About Nothing <\/em>(2012)
\nDollhouse<\/em> (2009-2010)
\nDr. Horrible’s Sing-Along Blog<\/em> (2008)
\nSerenity<\/strong><\/a><\/em> (2005)
\nFirefly<\/em> (2002-2003)
\nAngel <\/em>(con David Greenwalt, 1999-2004)
\nBuffy the Vampire Slayer<\/a><\/strong> <\/em>(1997-2003)<\/p>\n

***<\/p>\n

\"Once
Once More, with Feeling<\/em> [6×07 – Buffy the Vampire Slayer<\/em>] (Joss Whedon, 1997-2003)<\/figcaption><\/figure>\n

***<\/p>\n","protected":false},"excerpt":{"rendered":"

LISTA Una tumba para el ojo: 2021 LISTA Una tumba para el ojo: 2022 LISTA Una tumba para el ojo: 2023 LISTA Una tumba para el ojo: 2024 CR\u00cdTICA Y ENTROP\u00cdA El mayor enemigo del<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[711,367],"tags":[712,731],"class_list":["post-4827","post","type-post","status-publish","format-standard","hentry","category-listas","category-revista","tag-listas","tag-mas-alla-del-canon"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts\/4827"}],"collection":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4827"}],"version-history":[{"count":137,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts\/4827\/revisions"}],"predecessor-version":[{"id":6760,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts\/4827\/revisions\/6760"}],"wp:attachment":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}