{"id":6205,"date":"2023-12-31T18:00:45","date_gmt":"2023-12-31T18:00:45","guid":{"rendered":"https:\/\/unatumbaparaelojo.com\/?p=6205"},"modified":"2025-02-09T12:49:10","modified_gmt":"2025-02-09T12:49:10","slug":"lista-una-tumba-para-el-ojo-2023","status":"publish","type":"post","link":"https:\/\/unatumbaparaelojo.com\/?p=6205","title":{"rendered":"LISTA Una tumba para el ojo: 2023"},"content":{"rendered":"

LISTA M\u00e1s all\u00e1 del canon<\/a>
\nLISTA Una tumba para el ojo: 2021<\/a>
\nLISTA Una tumba para el ojo: 2022<\/a>
\nLISTA Una tumba para el ojo: 2024<\/a><\/p>\n

Aqu\u00ed nuestra lista, jerarquizada entre<\/em> CIMAS REVELADORAS y<\/em> CIMAS, de los filmes que m\u00e1s nos han aportado en 2023 (incluye revisionados):<\/em><\/p>\n

CIMAS REVELADORAS<\/u><\/strong><\/p>\n

Unser kurzes Leben<\/em><\/strong> (Lothar Warneke, 1981) [Rep\u00fablica Democr\u00e1tica Alemana]
\nGeorgia<\/em><\/strong> (Ulu Grosbard, 1995) [EUA]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\nStraight Time<\/a><\/em><\/strong> (Ulu Grosbard, 1978) [EUA]
\nRequiem<\/em><\/strong> (Zolt\u00e1n F\u00e1bri, 1982) [Hungr\u00eda]
\nF\u00e1bi\u00e1n B\u00e1lint tal\u00e1lkoz\u00e1sa Istennel<\/a><\/em><\/strong> (Zolt\u00e1n F\u00e1bri, 1980) [Hungr\u00eda]
\n141 perc a befejezetlen mondatb\u00f3l<\/a><\/em><\/strong> (Zolt\u00e1n F\u00e1bri, 1975) [Hungr\u00eda]
\nThe Last Days of Chez Nous<\/em><\/strong> (Gillian Armstrong, 1992) [Australia]
\nRamdenime interviu pirad sakitkhebze<\/em><\/strong> (Lana Gogoberidze, 1978) [URSS]
\nHerzsprung<\/a><\/em><\/strong> (Helke Misselwitz, 1992) [Alemania]
\nHwajang <\/em><\/strong>(Im Kwon-taek, 2014) [Corea del Sur]
\nDal-bit Gil-eo-ol-li-gi <\/em><\/strong>(Im Kwon-taek, 2011) [Corea del Sur]
\nZ\u00e1r\u00f3jelent\u00e9s <\/a><\/em><\/strong>(Istv\u00e1n Szab\u00f3, 2020) [Hungr\u00eda]
\n\u00c9des Emma, dr\u00e1ga B\u00f6be – v\u00e1zlatok, aktok <\/em><\/strong>(Istv\u00e1n Szab\u00f3, 1992) [Hungr\u00eda]
\nMeeting Venus <\/em><\/strong>(Istv\u00e1n Szab\u00f3, 1991) [Reino Unido]
\nBizalom <\/em><\/strong>(Istv\u00e1n Szab\u00f3, 1980) [Hungr\u00eda]
\nS\u00fakromn\u00e9 \u017eivoty <\/em><\/strong>(Du\u0161an Han\u00e1k, 1991) [Checoslovaquia]
\nRuzov\u00e9 sny<\/em><\/strong> (Du\u0161an Han\u00e1k, 1977) [Checoslovaquia]
\n100 de lei<\/em><\/strong> (Mircea S\u0103ucan, 1973) [Ruman\u00eda]
\nHeartbreakers<\/a><\/em><\/strong> (Bobby Roth, 1984) [EUA]
\nKobieta w kapeluszu<\/em><\/strong> (Stanis\u0142aw R\u00f3\u017cewicz, 1985) [Polonia]
\nRy\u015b<\/em><\/strong> (Stanis\u0142aw R\u00f3\u017cewicz, 1982) [Polonia]
\nSamotno\u015b\u0107 we dwoje<\/a><\/em><\/strong> (Stanis\u0142aw R\u00f3\u017cewicz, 1969) [Polonia]
\nVremya zhelaniy<\/em><\/strong> (Yuli Raizman, 1984) [URSS]
\nEgy h\u00e9t Pesten \u00e9s Bud\u00e1n<\/em><\/strong> (K\u00e1roly Makk, 2003) [Hungr\u00eda]
\nSzerelem<\/em><\/strong> (K\u00e1roly Makk, 1971) [Hungr\u00eda]
\nAssassination Tango<\/em><\/strong> (Robert Duvall, 2002) [EUA]
\nSzerencs\u00e9s D\u00e1niel<\/em><\/strong> (P\u00e1l S\u00e1ndor, 1985) [Hungr\u00eda]
\nThe Reflecting Skin<\/em><\/strong> (Philip Ridley, 1990) [Reino Unido]
\nCaught<\/em> <\/strong>(Robert M. Young, 1996) [EUA]
\nVaje v objemu<\/em> <\/strong>(Metod Pevec, 2012) [Eslovenia]
\nEstrellita<\/em><\/strong> (Metod Pevec, 2007) [Eslovenia]
\nPod njenim oknom<\/em><\/strong> (Metod Pevec, 2003) [Eslovenia]
\nRestless<\/em> <\/strong>(Amos Kollek, 2008) [Israel]
\nHeavy<\/em><\/strong> (James Mangold, 1995) [EUA]
\nTabor ukhodit v nebo<\/em><\/strong> (Emil Loteanu, 1976) [URSS]
\nNad rzek\u0105, kt\u00f3rej nie ma<\/em><\/strong> (Andrzej Bara\u0144ski, 1991) [Polonia]
\nKobieta z prowincji<\/a><\/em><\/strong> (Andrzej Bara\u0144ski, 1985) [Polonia]
\nDie Reise nach Lyon<\/em><\/strong> (Claudia von Alemann, 1981) [Francia]
\nMedan porten var st\u00e4ngd<\/em><\/strong> (Hasse Ekman, 1946) [Suecia]
\nVandring med m\u00e5nen<\/em><\/strong> (Hasse Ekman, 1945) [Suecia]
\nPanna Nikt<\/em><\/strong> (Andrzej Wajda, 1996) [Polonia]
\nKronika wypadk\u00f3w milosnych<\/em><\/strong> (Andrzej Wajda, 1986) [Polonia]
\nSzyfry<\/a><\/em><\/strong> (Wojciech Has, 1966) [Polonia]
\nJak byc kochana <\/em><\/strong>(Wojciech Has, 1963) [Polonia]
\nNikt nie wo\u0142a<\/em><\/strong> (Kazimierz Kutz, 1960) [Polonia]
\nWrzeciono czasu<\/em><\/strong> (Andrzej Kondratiuk, 1995) [Polonia]
\nCztery pory roku<\/em><\/strong> (Andrzej Kondratiuk, 1985) [Polonia]
\nPe\u0142nia<\/em><\/strong> (Andrzej Kondratiuk, 1979) [Polonia]
\nPercy <\/em><\/strong>(Pervez Merwanji, 1989) [India]
\nBaixo G\u00e1vea<\/em><\/strong> (Haroldo Marinho Barbosa, 1986) [Brasil]
\nBaseynat <\/em><\/strong>(Binka Zhelyazkova, 1977) [Bulgaria]
\nFantazii Faryateva<\/em><\/strong> (Ilya Averbakh, 1982) [URSS]
\nChuzhie pisma<\/em><\/strong> (Ilya Averbakh, 1976) [URSS]
\nMonolog <\/em><\/strong>(Ilya Averbakh, 1973) [URSS]
\nNaufragio<\/em><\/strong> (Jaime Humberto Hermosillo, 1978) [M\u00e9xico]
\nMatin\u00e9e<\/em><\/strong> (Jaime Humberto Hermosillo, 1977) [M\u00e9xico]
\nLa pasi\u00f3n seg\u00fan Berenice<\/em><\/strong> (Jaime Humberto Hermosillo, 1976) [M\u00e9xico]
\nLa reina de la noche<\/em><\/strong> (Arturo Ripstein, 1994) [M\u00e9xico]
\nTiburoneros<\/em><\/strong> (Luis Alcoriza, 1963) [M\u00e9xico]
\nEk Ghar<\/em><\/strong> (Girish Kasaravalli, 1991) [India]
\nRajnigandha<\/em><\/strong> (Basu Chatterjee, 1974) [India]
\nRomansu<\/a><\/em><\/strong> (Shunichi Nagasaki, 1996) [Jap\u00f3n]
\nKlyuch bez prava peredachi<\/em><\/strong> (Dinara Asanova, 1977) [URSS]
\nFotogr\u00e1fia<\/em><\/strong> (P\u00e1l Zolnay, 1973) [Hungr\u00eda]
\nPetite Solange<\/em><\/strong> (Axelle Ropert, 2021) [Francia]
\nStarting Out in the Evening<\/em><\/strong> (Andrew Wagner, 2007) [EUA]
\nAramesh dar Hozur Deegaran<\/em><\/strong> (Nasser Taghvai, 1972) [Ir\u00e1n]
\nSagkoshi <\/em><\/strong>(Bahram Beyzaie, 2001) [Ir\u00e1n]
\nMosaferan<\/em><\/strong> (Bahram Beyzaie, 1992) [Ir\u00e1n]
\nMarg Yazdgerd <\/em><\/strong>(Bahram Beyzaie,1982) [Ir\u00e1n]
\nTcherike-ye Tara <\/em><\/strong>(Bahram Beyzaie, 1979) [Ir\u00e1n]
\nPet holek na krku<\/em><\/strong> (Evald Schorm, 1967) [Checoslovaquia]
\nKa\u017ed\u00fd den odvahu <\/em><\/strong>(Evald Schorm, 1964) [Checoslovaquia]
\nNeha<\/em><\/strong> (Martin \u0160ul\u00edk, 1991) [Checoslovaquia]
\nPetrijin venac<\/em><\/strong> (Sr\u0111an Karanovi\u0107, 1980) [Yugoslavia]
\nIris och l\u00f6jtnantshj\u00e4rta<\/em><\/strong> (Alf Sj\u00f6berg, 1945) [Suecia]
\nK\u0159ik<\/em><\/strong> (Jaromil Jire\u0161, 1964) [Checoslovaquia]
\nLa vie r\u00eav\u00e9e<\/em><\/strong> (Mireille Dansereau, 1972) [Canad\u00e1]
\nLes bons d\u00e9barras<\/em><\/strong> (Francis Mankiewicz, 1980) [Canad\u00e1]
\nA m\u00e9nesgazda<\/em><\/strong> (Andr\u00e1s Kov\u00e1cs, 1978) [Hungr\u00eda]
\nThe Hanging Garden<\/em><\/strong> (Thom Fitzgerald, 1997) [Canad\u00e1]
\nWhatever<\/em> <\/strong>(Susan Skoog, 1998) [EUA]
\nSlnko v sieti<\/em><\/strong> (\u0160tefan Uher, 1963) [Checoslovaquia]
\n80 husz\u00e1r<\/em><\/strong> (S\u00e1ndor S\u00e1ra, 1978) [Hungr\u00eda]
\nKutya \u00e9ji dala<\/em><\/strong> (G\u00e1bor B\u00f3dy, 1983) [Hungr\u00eda]
\nN\u00e1rcisz \u00e9s Psych\u00e9<\/em><\/strong> (G\u00e1bor B\u00f3dy, 1980) [Hungr\u00eda]
\nCircus Maximus<\/em><\/strong> (G\u00e9za von Radv\u00e1nyi, Tam\u00e1s Alm\u00e1si, 1980) [Hungr\u00eda]
\nZazidani <\/em><\/strong>(Vojislav \u2018Kokan\u2019 Rakonjac, 1969) [Yugoslavia]
\nPre istine<\/em><\/strong> (Vojislav \u2018Kokan\u2019 Rakonjac, 1968) [Yugoslavia]
\nLiebe auf den ersten Blick<\/em><\/strong> (Rudolf Thome, 1991) [Alemania]
\nProb\u0103 de microfon<\/a><\/em><\/strong> (Mircea Daneliuc, 1980) [Ruman\u00eda]
\nShe Came to Me <\/em><\/strong>(Rebecca Miller, 2023) [EUA]
\nNaerata ometi<\/em><\/strong> (Leida Laius, Arvo Iho, 1985) [URSS]
\nBordelo<\/em><\/strong> (Nikos Koundouros, 1985) [Grecia]
\n1922<\/em><\/strong> (Nikos Koundouros, 1978) [Grecia]
\nO Drakos<\/em><\/strong> (Nikos Koundouros, 1956) [Grecia]
\nMireille dans la vie des autres<\/em><\/strong> (Jean-Marie Buchet, 1978) [B\u00e9lgica]
\nAvant que j’oublie<\/a><\/em><\/strong> (Jacques Nolot, 2007) [Francia]
\n\u2019night, Mother<\/em><\/strong> (Tom Moore, 1986) [EUA]
\nGioconda f\u0103r\u0103 sur\u00ees<\/em><\/strong> (Malvina Ur\u0219ianu, 1968) [Ruman\u00eda]
\nDvoe<\/em><\/strong> (Mikhail Bogin, 1965) [URSS]
\nPas \u00een doi <\/em><\/strong>(Dan Pi\u021ba, 1985) [Ruman\u00eda]
\nMarathon<\/em><\/strong> (Amir Naderi, 2002) [EUA]
\n\u017duvies diena<\/em><\/strong> (Algimantas Puipa, 1990) [URSS]
\nZhenshchina i chetvero yeyo muzhchin <\/em><\/strong>(Algimantas Puipa, 1983) [URSS]
\nKhesht va Ayeneh <\/em><\/strong>(Ebrahim Golestan, 1965) [Ir\u00e1n]
\nShatranj-e baad <\/em><\/strong>(Mohammad Reza Aslani, 1976) [Ir\u00e1n]
\nPles v de\u017eju<\/em><\/strong> (Bo\u0161tjan Hladnik, 1961) [Yugoslavia]
\nMisa en Compostela<\/em><\/strong> (Ana Mariscal, 1954) [Espa\u00f1a]
\nBarev, yes em<\/em><\/strong> (Frunze Dovlatyan, 1966) [URSS]
\nNy\u00e1r a hegyen<\/em><\/strong> (P\u00e9ter Bacs\u00f3, 1967) [Hungr\u00eda]
\nShuga<\/em><\/strong> (Darezhan Omirbayev, 2007) [Kazajist\u00e1n]
\nAbout Love<\/em><\/strong> (Darezhan Omirbayev, 2006) [Kazajist\u00e1n]
\nTsuki wa noborinu<\/em><\/strong> (Kinuyo Tanaka, 1955) [Jap\u00f3n]
\nPeaux de vaches<\/em><\/strong> (Patricia Mazuy, 1989) [Francia]
\nNinj\u00f4 kami f\u00fbsen <\/em><\/strong>(Sadao Yamanaka, 1937) [Jap\u00f3n]
\nQing chun ji<\/em><\/strong> (Zhang Nuanxin, 1986) [China]
\nMei guo xin<\/em><\/strong> (Allen Fong, 1986) [Hong Kong]
\nAh Ying<\/em><\/strong> (Allen Fong, 1983) [Hong Kong]
\nFeng jing<\/em><\/strong> (He Jianjun, 2000) [China]
\nYouchai<\/em><\/strong> (He Jianjun, 1995) [China]
\n4:44 Last Day on Earth<\/em><\/strong> (Abel Ferrara, 2011) [EUA]
\nGo Go Tales<\/em><\/strong> (Abel Ferrara, 2007) [EUA]
\nI’ve Always Loved You<\/em><\/strong> (Frank Borzage, 1946) [EUA]
\nA Matter of Life and Death<\/em><\/strong> (Michael Powell, Emeric Pressburger, 1946) [Reino Unido]
\nPuffball <\/em><\/strong>(Nicolas Roeg, 2007) [Reino Unido]
\n\u00a1V\u00e1monos con Pancho Villa!<\/em><\/strong> (Fernando de Fuentes, 1936) [M\u00e9xico]
\nEl compadre Mendoza<\/em><\/strong> (Juan Bustillo Oro, Fernando de Fuentes, 1934) [M\u00e9xico]
\nEl prisionero 13<\/em><\/strong> (Fernando de Fuentes, 1933) [M\u00e9xico]
\nCanoa<\/em><\/strong> (Felipe Cazals, 1976) [M\u00e9xico]
\nLongitud de guerra<\/em><\/strong> (Gonzalo Mart\u00ednez Ortega, 1975) [M\u00e9xico]<\/p>\n

***<\/p>\n

\"Longitud
Longitud de guerra<\/em> (Gonzalo Mart\u00ednez Ortega, 1975)<\/figcaption><\/figure>\n
\"Unser
Unser kurzes Leben<\/em> (Lothar Warneke, 1981)<\/figcaption><\/figure>\n
\"Kobieta
Kobieta w kapeluszu<\/em> (Stanis\u0142aw R\u00f3\u017cewicz, 1985)<\/figcaption><\/figure>\n

***<\/p>\n

CIMAS<\/u><\/strong><\/p>\n

Le bonheur <\/em><\/strong>(Marcel L\u2019Herbier, 1934) [Francia]
\nEldorado<\/em><\/strong> (Marcel L\u2019Herbier, 1921) [Francia]
\nHeartless<\/em><\/strong> (Philip Ridley, 2009) [Reino Unido]
\nThe Passion of Darkly Noon <\/em><\/strong>(Philip Ridley, 1995) [Reino Unido]
\nBreezy<\/em><\/strong> (Clint Eastwood, 1973) [EUA]
\nSuburbia<\/em><\/strong> (Penelope Spheeris, 1983) [EUA]
\nWho Is Harry Kellerman and Why Is He Saying Those Terrible Things about Me?<\/em><\/strong> (Ulu Grosbard, 1971) [EUA]
\nThe Subject Was Roses<\/em><\/strong> (Ulu Grosbard, 1968) [EUA]
\nUmibe no Ria<\/em><\/strong> (Masahiro Kobayashi, 2017) [Jap\u00f3n]
\nFlic<\/em><\/strong> (Masahiro Kobayashi, 2005) [Jap\u00f3n]
\nClosing Time<\/em><\/strong> (Masahiro Kobayashi, 2005) [Jap\u00f3n]
\nCharlotte Sometimes<\/em><\/strong> (Eric Byler, 2002) [EUA]
\nPas sur la bouche<\/em><\/strong> (Alain Resnais, 2003) [Francia]
\nLa guerre est finie<\/em><\/strong> (Alain Resnais, 1966) [Francia]
\nJaz sem Frenk<\/em><\/strong> (Metod Pevec, 2019) [Eslovenia]
\nThe Cake Eaters<\/em><\/strong> (Mary Stuart Masterson, 2007) [EUA]
\nThe Stone Boy<\/em><\/strong> (Christopher Cain, 1984) [EUA]
\nCome Early Morning<\/em><\/strong> (Joey Lauren Adams, 2006) [EUA]
\nEverybody Wins<\/em><\/strong> (Karel Reisz, 1990) [Reino Unido]
\nBrussels by Night<\/em><\/strong> (Marc Didden, 1983) [B\u00e9lgica]<\/p>\n

Zolt\u00e1n F\u00e1bri<\/u><\/strong> [Hungr\u00eda]<\/strong><\/p>\n

Magyarok<\/em><\/strong> (1978)
\nAz \u00f6t\u00f6dik pecs\u00e9t <\/em><\/strong>(1976)
\nHangyaboly<\/em><\/strong> (1971)
\nIsten hozta, \u0151rnagy \u00far! <\/em><\/strong>(1969)
\nA P\u00e1l utcai fi\u00fak<\/em><\/strong> (1969)
\nUt\u00f3szezon<\/em><\/strong> (1967)
\nH\u00fasz \u00f3ra<\/em><\/strong> (1965)
\nK\u00e9t f\u00e9lid\u0151 a pokolban<\/em><\/strong> (1961)
\nD\u00favad<\/em><\/strong> (1961)
\n\u00c9des Anna<\/em><\/strong> (1958)
\nHannib\u00e1l tan\u00e1r \u00far<\/em><\/strong> (1956)
\nK\u00f6rhinta<\/em><\/strong> (1956)<\/p>\n

Die Beunruhigung<\/em><\/strong> (Lothar Warneke, 1982) [Rep\u00fablica Democr\u00e1tica Alemana]
\nJamais plus toujours<\/em><\/strong> (Yannick Bellon) [Francia]
\nKisapmata<\/em><\/strong> (Mike De Leon, 1981) [Filipinas]
\nKung mangarap ka’t magising<\/em><\/strong> (Mike De Leon, 1977) [Filipinas]
\nSoltero<\/em><\/strong> (Pio De Castro III, 1984) [Filipinas]
\nMy New Gun<\/em><\/strong> (Stacy Cochran, 1992) [EUA]
\nTori et Lokita<\/em><\/strong> (Jean Pierre-Dardenne, Luc Dardenne, 2022) [B\u00e9lgica]
\nI’ll Sleep When I’m Dead<\/em><\/strong> (Mike Hodges, 2003) [Reino Unido]
\nThe Disappearance<\/em><\/strong> (Stuart Cooper, 1977) [Reino Unido]
\nMysteries<\/em><\/strong> (Paul de Lussanet. 1978) [Pa\u00edses Bajos]
\nSigns & Wonders<\/em><\/strong> (Jonathan Nossiter, 2000) [Francia]
\nSunday<\/em><\/strong> (Jonathan Nossiter, 1997) [EUA]
\nFlesh and Bone<\/em><\/strong> (Steve Kloves, 1993) [EUA]
\nKeiner liebt mich<\/em><\/strong> (Doris D\u00f6rrie, 1994) [Alemania]
\nPolyoty vo sne i nayavu<\/em><\/strong> (Roman Balayan, 1982) [URSS]
\nMia toso makryni apousia<\/em><\/strong> (Stavros Tsiolis, 1985) [Grecia]
\nLeviathan<\/em><\/strong> (L\u00e9onard Keigel, 1962) [Francia]
\nSommer vorm Balkon<\/em><\/strong> (Andreas Dresen, 2005) [Alemania]
\nSapekhuri<\/em><\/strong> (Aleksandre Rekhviashvili, 1985) [URSS]
\nHatari!<\/em><\/strong> (Howard Hawks, 1962) [EUA]
\nLato milosci<\/em><\/strong> (Feliks Falk, 1994) [Polonia]
\nIdol <\/em><\/strong>(Feliks Falk, 1985) [Polonia]
\nVulpe – v\u00e2n\u0103tor<\/em><\/strong> (Stere Gulea, 1993) [Ruman\u00eda]
\n\u00d3smy dzie\u0144 tygodnia<\/em><\/strong> (Aleksander Ford, 1958) [Polonia]
\nLe grand paysage d’Alexis Droeven<\/em><\/strong> (Jean-Jacques Andrien, 1981) [B\u00e9lgica]
\nZimowy zmierzch<\/em><\/strong> (Stanis\u0142aw Lenartowicz, 1957) [Polonia]
\nVideogramme einer Revolution<\/em><\/strong> (Harun Farocki, Andrei Ujic\u0103, 1992) [Alemania]
\nLa captive du d\u00e9sert <\/em><\/strong>(Raymond Depardon, 1990) [Francia]
\nThe Leopard Man<\/em><\/strong> (Jacques Tourneur, 1943) [EUA]
\nLes ailes de la colombe<\/em><\/strong> (Beno\u00eet Jacquot) [Francia]
\nLe navire Night<\/em><\/strong> (Marguerite Duras, 1979) [Francia]
\nDes journ\u00e9es enti\u00e8res dans les arbres <\/em><\/strong>(Marguerite Duras, 1977) [Francia]
\nHecate <\/em><\/strong>(Daniel Schmid, 1982) [Francia]
\nRupture<\/em><\/strong> (Raymonde Carasco, 1989) [Francia]
\nBez znieczulenia<\/em><\/strong> (Andrzej Wajda, 1978) [Polonia]
\nZiemia obiecana<\/em><\/strong> (Andrzej Wajda, 1975) [Polonia]
\nDanses macabres, squelettes et autres fantaisies<\/em><\/strong> (Rita Azevedo Gomes, Pierre L\u00e9on, Jean-Louis Schefer, 2019) [Francia]
\nN\u00f4<\/em><\/strong> (Robert Lepage, 1998) [Canad\u00e1]
\nShy People<\/em><\/strong> (Andrei Konchalovsky, 1987) [EUA]
\nRequiem<\/em><\/strong> (Witold Leszczy\u0144ski, 2001) [Polonia]
\nSiekierezada<\/em><\/strong> (Witold Leszczy\u0144ski, 1986) [Polonia]
\nKonopielka<\/em><\/strong> (Witold Leszczy\u0144ski, 1982) [Polonia]
\n\u017bywot Mateusza<\/em><\/strong> (Witold Leszczy\u0144ski, 1968) [Polonia]
\n\u00daltimas im\u00e1genes del naufragio<\/em><\/strong> (Eliseo Subiela, 1989) [Argentina]
\nSziget a sz\u00e1razf\u00f6ld\u00f6n<\/em><\/strong> (Judit Elek, 1969) [Hungr\u00eda]
\nWieczne pretensje <\/em><\/strong>(Grzegorz Kr\u00f3likiewicz, 1975) [Polonia]
\nPierre et Djemila<\/em><\/strong> (G\u00e9rard Blain, 1987) [Francia]
\nJowita<\/em><\/strong> (Janusz Morgenstern, 1967) [Polonia]
\nSchwestern oder Die Balance des Gl\u00fccks<\/a><\/em><\/strong> (Margarethe von Trotta, 1979) [Rep\u00fablica Federal Alemana]<\/p>\n

Im Kwon-taek<\/u><\/strong> [Corea del Sur]<\/strong><\/p>\n

Chun nyun hack <\/em><\/strong>(2007)
\nHaryu insaeng<\/em><\/strong> (2004)
\nChihwaseon<\/em><\/strong> (2002)
\nChang<\/em><\/strong> (1997)
\nChukje<\/em><\/strong> (1996)
\nSeopyeonje<\/em><\/strong> (1993)
\nAje aje bara aje<\/em><\/strong> (1989)
\nSibaji <\/em><\/strong>(1987)
\nTicket<\/em><\/strong> (1986)
\nGilsoddeum<\/em><\/strong> (1986)<\/p>\n

***<\/p>\n

\"Chihwaseon
Chihwaseon<\/em> (Im Kwon-taek, 2002)<\/figcaption><\/figure>\n

***<\/p>\n

Een Vrouw als Eva<\/em><\/strong> (Nouchka van Brakel) [Pa\u00edses Bajos]
\nYokohama BJ bur\u00fbsu<\/em><\/strong> (Eiichi Kud\u00f4, 1981) [Jap\u00f3n]
\nHarlan County U.S.A.<\/em><\/strong> (Barbara Kopple, 1976) [EUA]
\nS\u0142o\u0144ce wschodzi raz na dzie\u0144<\/em><\/strong> (Henryk Kluba, 1972) [Polonia]
\nChudy i inni<\/em><\/strong> (Henryk Kluba, 1967) [Polonia]
\nWanda<\/em><\/strong> (Barbara Loden, 1970) [EUA]
\nBarierata<\/em><\/strong> (Christo Christov, 1979 [Bulgaria]
\nTabu<\/em><\/strong> (Andrzej Bara\u0144ski, 1987) [Polonia]
\nUlica Brzozowa<\/em><\/strong> (Stanis\u0142aw R\u00f3\u017cewicz, Wojciech Has, 1947) [Polonia]<\/p>\n

Stanis\u0142aw R\u00f3\u017cewicz<\/u><\/strong> [Polonia]<\/strong><\/p>\n

Anio\u0142 w szafie<\/em><\/strong> (1988)
\nPostkarten<\/em><\/strong> (1979)
\nPasja <\/em><\/strong>(1978)
\nOpad\u0142y li\u015bcie z drzew<\/em><\/strong> (1975)
\nDrzwi w murze<\/em><\/strong> (1974)
\nWesterplatte<\/em><\/strong> (1967)
\nPiek\u0142o i niebo<\/em><\/strong> (1966)
\nEcho<\/em><\/strong> (1964)
\nG\u0142os z tamtego \u015bwiata<\/em><\/strong> (1962)
\n\u015awiadectwo urodzenia<\/em><\/strong> (1961)<\/p>\n

Wojciech Has<\/u><\/strong> [Polonia]<\/strong><\/p>\n

Niezwyk\u0142a podr\u00f3\u017c Baltazara Kobera<\/em><\/strong> (1988)
\nOsobisty pami\u0119tnik grzesznika przez niego samego spisany<\/em><\/strong> (1986)
\nPismak<\/em><\/strong> (1985)
\nNieciekawa historia<\/em><\/strong> (1983)
\nSanatorium pod klepsydr\u0105<\/em><\/strong> (1973)
\nLalka<\/em><\/strong> (1968)
\nRekopis znaleziony w Saragossie<\/em><\/strong> (1965)
\nRozstanie<\/em><\/strong> (1961)
\nWsp\u00f3lny pok\u00f3j <\/em><\/strong>(1960)
\nPo\u017cegnania <\/em><\/strong>(1958)
\nP\u0119tla <\/em><\/strong>(1958)
\nMoje miasto<\/em><\/strong> (1950)
\nHarmonia <\/em><\/strong>(1948)<\/p>\n

Lawa. Opowiesc o ‘Dziadach’ Adama Mickiewicza<\/em><\/strong> (Tadeusz Konwicki, 1989) [Polonia]
\nSalto<\/em><\/strong> (Tadeusz Konwicki, 1965) [Polonia]
\nOstatni dzie\u0144 lata<\/em><\/strong> (Tadeusz Konwicki, 1958) [Polonia]
\nLianna<\/em><\/strong> (John Sayles, 1983) [EUA]
\nProshu slova<\/em><\/strong> (Gleb Panfilov, 1976) [URSS]
\nLa casa que arde de noche<\/em><\/strong> (Ren\u00e9 Cardona Jr. 1985) [M\u00e9xico]
\nIntimidades de un cuarto de ba\u00f1o <\/em><\/strong>(Jaime Humberto Hermosillo, 1989) [M\u00e9xico]
\nNocturno amor que te vas<\/em><\/strong> (Marcela Fern\u00e1ndez Violante, 1987) [M\u00e9xico]
\nMacario<\/em><\/strong> (Roberto Gavald\u00f3n, 1960) [M\u00e9xico]
\nEl cambio<\/em><\/strong> (Alfredo Joskowicz, 1971) [M\u00e9xico]
\nGente en Buenos Aires<\/em><\/strong> (Eva Landeck, 1974) [Argentina]
\nEl principio<\/em><\/strong> (Gonzalo Mart\u00ednez Ortega, 1973) [M\u00e9xico]
\nDamiana y los hombres<\/em><\/strong> (Julio Bracho, 1967) [M\u00e9xico]
\nLos confines<\/em><\/strong> (Mitl Valdez, 1987) [M\u00e9xico]
\nEn la tormenta<\/em><\/strong> (Fernando Vallejo, 1982) [M\u00e9xico]
\nDemon<\/em><\/strong> (Larry Cohen, 1976) [EUA]
\nThe 24 Hour Woman<\/em><\/strong> (Nancy Savoca, 1999) [EUA]
\nNo\u010dn\u00ed jazdci<\/em><\/strong> (Martin Holl\u00fd, 1981) [Checoslovaquia]
\nPlokhoy khoroshiy chelovek<\/em><\/strong> (Iosif Kheifits, 1973) [URSS]
\nNuestra voz de tierra, memoria y futuro<\/em><\/strong> (Marta Rodr\u00edguez, Jorge Silva, 1982) [Colombia]
\nLost Horizons<\/em><\/strong> (Frank Capra, 1937) [EUA]
\n322<\/em><\/strong> (Du\u0161an Han\u00e1k, 1969) [Checoslovaquia]
\nShampoo<\/em><\/strong> (Hal Ashby, 1975) [EUA]
\nT\u00edzezer nap<\/em><\/strong> (Ferenc K\u00f3sa, 1967) [Hungr\u00eda]
\nRapha\u00ebl ou le d\u00e9bauch\u00e9<\/em><\/strong> (Michel Deville, 1971) [Francia]
\nDharavi<\/em><\/strong> (Sudhir Mishra, 1992) [India]
\nKusa no hibiki<\/em><\/strong> (Hisashi Saito, 2021) [Jap\u00f3n]
\nKhubsoorat <\/em><\/strong>(Hrishikesh Mukherjee, 1980) [India]
\nKharij<\/em><\/strong> (Mrinal Sen, 1982) [India]
\nPadatik<\/em><\/strong> (Mrinal Sen, 1973) [India]
\nPatsany<\/em><\/strong> (Dinara Asanova, 1983) [URSS]
\nNe bolit golova u dyatla<\/em><\/strong> (Dinara Asanova, 1975) [URSS]
\nCity After Dark<\/em><\/strong> (Ishmael Bernal, 1980) [Filipinas]
\nIkaw ay Akin<\/em><\/strong> (Ishmael Bernal, 1978) [Filipinas]
\nNunal sa Tubig<\/em><\/strong> (Ishmael Bernal, 1976) [Filipinas]
\nDon Juan<\/em><\/strong> (Serge Bozon, 2022) Francia]
\nBreakable You <\/em><\/strong>(Andrew Wagner, 2017) [EUA]
\nMondo Meyer Upakhyan<\/em><\/strong> (Buddhadev Dasgupta, 2002) [India]<\/p>\n

***<\/p>\n

\"Zhenshchina
Zhenshchina i chetvero yeyo muzhchin<\/em> (Algimantas Puipa, 1983)<\/figcaption><\/figure>\n

***<\/p>\n

Bahram Beyzaie<\/u><\/strong> [Ir\u00e1n]<\/strong><\/p>\n

Vaghti hame khaabim<\/em><\/strong> (2009)
\nBashu, gharibeye koochak<\/em><\/strong> (1989)
\nRagbar<\/em><\/strong> (1972)<\/p>\n

Sayehaye bolande bad<\/em><\/strong> (Bahman Farmanara, 1979) [Ir\u00e1n]
\nIran saray-e man ast <\/em><\/strong>(Parviz Kimiavi, 1999) [Ir\u00e1n]
\nBagh\u00e9 sangui <\/em><\/strong>(Parviz Kimiavi, 1976) [Ir\u00e1n]
\nDerakhte Golabi<\/em><\/strong> (Dariush Mehrjui, 1998) [Ir\u00e1n]
\nOrdnung<\/em><\/strong> (Sohrab Shahid Saless, 1980) [Rep\u00fablica Federal Alemana]
\nSpace Cut<\/a><\/em><\/strong> (Werner Nekes, 1971) [Rep\u00fablica Federal Alemana]
\nDeclarative Mode<\/a><\/em><\/strong> (Paul Sharits, 1977) [EUA]
\nDelbaran<\/em><\/strong> (Abolfazl Jalili, 2001) [Ir\u00e1n]
\nUtopia<\/em><\/strong> (Iradj Azimi, 1978) [Francia]
\nNatvris khe<\/em><\/strong> (Tengiz Abuladze, 1976) [URSS]
\nVedreba<\/em><\/strong> (Tengiz Abuladze, 1967) [URSS]
\nArachveulebrivi gamopena<\/em><\/strong> (Eldar Shengelaia, 1968) [URSS]
\nTetri karavani <\/em><\/strong>(Eldar Shengelaia, Tamaz Meliava, 1964) [URSS]
\nMi querida se\u00f1orita<\/em><\/strong> (Jaime de Armi\u00f1\u00e1n, 1972) [Espa\u00f1a]
\nLa colmena<\/em><\/strong> (Mario Camus, 1982) [Espa\u00f1a]
\nDown and Out in America<\/em><\/strong> (Lee Grant, 1986) [EUA]
\nHide and Seek<\/em><\/strong> (Su Friedrich, 1997) [EUA]
\nThe Hot Spot<\/em><\/strong> (Dennis Hopper, 1990) [EUA]
\nEasy Rider<\/em><\/strong> (Dennis Hopper, 1969) [EUA]
\nN\u00e1vrat ztracen\u00e9ho syna <\/em><\/strong>(Evald Schorm, 1967) [Checoslovaquia]
\nK\u00fdm sa skonc\u00ed t\u00e1to noc<\/em><\/strong> (Peter Solan, 1967) [Checoslovaquia]
\n….mehri to ploio<\/em><\/strong> (Alexis Damianos, 1966) [Grecia]
\nZ\u00e1hrada<\/em><\/strong> (Martin \u0160ul\u00edk, 1995) [Eslovaquia]
\nV\u0161etko \u010do m\u00e1m r\u00e1d<\/em><\/strong> (Martin \u0160ul\u00edk, 1993) [Eslovaquia]
\nMiris poljskog cveca<\/em><\/strong> (Sr\u0111an Karanovi\u0107, 1977) [Yugoslavia]
\nPrima comunione<\/em><\/strong> (Alessandro Blasetti, 1950) [italia]
\n4 passi fra le nuvole<\/em><\/strong> (Alessandro Blasetti, 1942) [italia]
\nResurrectio<\/em><\/strong> (Alessandro Blasetti, 1931) [Italia]<\/p>\n

Istv\u00e1n Ga\u00e1l<\/u><\/strong> [Hungr\u00eda]<\/strong><\/p>\n

Holt vid\u00e9k<\/em><\/strong> (1972)
\nMagasiskola<\/a><\/em><\/strong> (1970)
\nKeresztel\u0151<\/em><\/strong> (1968)
\nSodr\u00e1sban<\/em><\/strong> (1964)
\nTisza-\u0151szi v\u00e1zlatok<\/em><\/strong> (1963)<\/p>\n

Hideg napok<\/em><\/strong> (Andr\u00e1s Kov\u00e1cs, 1966) [Hungr\u00eda]
\nD\u00f6gkesely\u0171 <\/em><\/strong>(Ferenc Andr\u00e1s, 1982) [Hungr\u00eda]
\nVeri az \u00f6rd\u00f6g a feles\u00e9g\u00e9t<\/em><\/strong> (Ferenc Andr\u00e1s, 1974) [Hungr\u00eda]
\nA kis Valentin\u00f3<\/em><\/strong> (Andr\u00e1s Jeles, 1979) [Hungr\u00eda]
\nVas\u00e1rnap, \u00c1prilis 12.<\/em><\/strong> (Andr\u00e1s Jeles, 1974) [Hungr\u00eda]
\nT\u00faszt\u00f6rt\u00e9net <\/em><\/strong>(Gyula Gazdag, 1989) [Hungr\u00eda]
\nElveszett ill\u00fazi\u00f3k<\/em><\/strong> (Gyula Gazdag, 1983) [Hungr\u00eda]
\nB\u00e1styas\u00e9t\u00e1ny hetvenn\u00e9gy<\/em><\/strong> (Gyula Gazdag, 1974) [Hungr\u00eda]
\nSzerelmes biciklist\u00e1k<\/em><\/strong> (P\u00e9ter Bacs\u00f3, 1965) [Hungr\u00eda]<\/p>\n

S\u00e1ndor S\u00e1ra<\/u><\/strong> [Hungr\u00eda]<\/strong><\/p>\n

Pro Patria<\/em><\/strong> (1970)
\nFeldobott k\u0151<\/em><\/strong> (1969)
\nV\u00edzkereszt <\/em><\/strong>(1967)
\nEgyed\u00fcl<\/em><\/strong> (1963)
\nCig\u00e1nyok <\/em><\/strong>(1962)<\/p>\n

***<\/p>\n

\"Visionados
Szerencs\u00e9s D\u00e1niel<\/em> (P\u00e1l S\u00e1ndor, 1985)<\/figcaption><\/figure>\n

***<\/p>\n

K\u00e1roly Makk<\/u><\/strong> [Hungr\u00eda]<\/strong><\/p>\n

Egymasra nezve<\/em><\/strong> (1982)
\nEgy erk\u00f6lcs\u00f6s \u00e9jszaka<\/em><\/strong> (1977)
\nMacskaj\u00e1t\u00e9k<\/em><\/strong> (1974)<\/p>\n

\u0150k ketten<\/em><\/strong> (M\u00e1rta M\u00e9sz\u00e1ros, 1977) [Hungr\u00eda]
\nDorucak sa djavolom<\/em><\/strong> (Miroslav Anti\u0107, 1971) [Yugoslavia]
\nSkupljaci perja<\/em><\/strong> (Aleksandar Petrovi\u0107, 1967) [Yugoslavia]
\nHitotsu no uta<\/em><\/strong> (Kyoshi Sugita, 2011) [Jap\u00f3n]
\nPevnost <\/em><\/strong>(Drahom\u00edra Vihanov\u00e1, 1994) [Eslovaquia]
\nUn h\u00e9ritier<\/em><\/strong> (Jean-Marie Straub, 2011) [Francia]
\nSpider<\/em><\/strong> (David Cronenberg, 2002) [Canad\u00e1]
\nMy Brilliant Career<\/em><\/strong> (Gillian Armstrong, 1979) [Australia]
\nProof<\/em><\/strong> (Jocelyn Moorhouse, 1991) [Australia]<\/p>\n

Paul Cox<\/u><\/strong> [Australia]<\/strong><\/p>\n

Human Touch <\/em><\/strong>(2004)
\nInnocence<\/em><\/strong> (2000)
\nCactus<\/em><\/strong> (1986)
\nMy First Wife<\/a><\/em><\/strong> (1984)
\nMan of Flowers<\/a><\/em><\/strong> (1983)
\nLonely Hearts<\/a><\/em><\/strong> (1982)<\/p>\n

Entr\u2019acte<\/em><\/strong> (Ren\u00e9 Clair, 1924) [Francia]
\nLissy<\/em><\/strong> (Konrad Wolf, 1957) [Rep\u00fablica Democr\u00e1tica Alemana]
\nFilm<\/em><\/strong> (Alan Schneider, 1967) [EUA]
\nFoma Gordeev <\/em><\/strong>(Mark Donskoy, 1959) [URSS]
\nPalo y hueso <\/em><\/strong> (Nicol\u00e1s Sarqu\u00eds, 1968) [Argentina]
\nNicht mehr fliehen<\/em><\/strong> (Herbert Vesely, 1955) [Rep\u00fablica Federal Alemana]
\nRondo <\/em><\/strong> (Zvonimir Berkovic, 1966) [Yugoslavia]
\nAerograd <\/em><\/strong> (Aleksandr Dovzhenko, 1935) [URSS]
\nDichtweefsel<\/em><\/strong> (Frans van de Staak, 1998) [Pa\u00edses Bajos]
\nOngedaan gedaan<\/em><\/strong> (Frans van de Staak, 1989) [Pa\u00edses Bajos]
\nW bia\u0142y dzie\u0144<\/em><\/strong> (Edward \u017bebrowski, 1981) [Polonia]
\nAdomas nori b\u016bti \u017emogumi <\/em><\/strong>(Vytautas \u017dalakevi\u010dius, 1959) [URSS]
\nKali patrida, syntrofe<\/em><\/strong> (Lefteris Xanthopoulos, 1986) [Grecia]
\nRachida<\/em><\/strong> (Yamina Bachir-Chouikh, 2003) [Argelia]
\nGlissando<\/em><\/strong> (Mircea Daneliuc, 1982) [Ruman\u00eda]
\nCroaziera<\/em><\/strong> (Mircea Daneliuc, 1981) [Ruman\u00eda]
\nTerminus paradis<\/em><\/strong> (Lucian Pintilie, 1998) [Ruman\u00eda]
\nReconstituirea<\/em><\/strong> (Lucian Pintilie, 1968) [Ruman\u00eda]
\nSecven\u0163e<\/em><\/strong> (Alexandru Tatos, 1982) [Ruman\u00eda]
\nFebra<\/em><\/strong> (Vivi Dr\u0103gan Vasile, Dorin Moldovan, 1970) [Ruman\u00eda]
\nVysok\u00e1 zed<\/em><\/strong> (Karel Kachy\u0148a, 1964) [Checoslovaquia]
\nLibahunt<\/em><\/strong> (Leida Laius, 1968) [URSS]
\nNaseem<\/em><\/strong> (Saeed Akhtar Mirza, 1995) [India]
\nTestament<\/em><\/strong> (Lynne Littman, 1983) [EUA]
\nThe Gold Diggers<\/em><\/strong> (Sally Potter, 1983) [Reino Unido]
\nAnybody\u2019s Woman<\/em><\/strong> (Bette Gordon, 1981) [EUA]
\nEmpty Suitcases<\/em><\/strong> (Bette Gordon, 1980) [EUA]
\nGizli Y\u00fcz<\/em><\/strong> (\u00d6mer Kavur, 1991) [Turqu\u00eda]
\nGwilo <\/em><\/strong>(Lee Man-hee, 1967) [Corea del Sur]
\nI fotografia<\/em><\/strong> (Nikos Papatakis, 1986) [Francia]
\nOi voskoi<\/em><\/strong> (Nikos Papatakis, 1967) [Grecia]
\nLe sourd dans la ville<\/em><\/strong> (Mireille Dansereau, 1987) [Canad\u00e1]
\nMotforestilling<\/em><\/strong> (Erik L\u00f8chen, 1972) [Noruega]
\nRaigyo<\/em><\/strong> (Takahisa Zeze, 1997) [Jap\u00f3n]
\nStudent <\/em><\/strong>(Darezhan Omirbayev, 2012) [Kazajist\u00e1n]
\nMoreto<\/em><\/strong> (Peter Donev, 1967) [Bulgaria]
\nMan yan <\/em><\/strong>(He Jianjun, 2004) [China]
\nA byahme mladi<\/em><\/strong> (Binka Zhelyazkova, 1961) [Bulgaria]<\/p>\n

Istv\u00e1n Szab\u00f3<\/u><\/strong> [Hungr\u00eda, Reino Unido, Francia y Canad\u00e1]<\/strong><\/p>\n

The Door <\/em><\/strong>(2012)
\nBeing Julia <\/em><\/strong>(2004)
\nTaking Sides <\/em><\/strong>(2001)
\nSunshine <\/em><\/strong>(1999)
\nHanussen <\/em><\/strong>(1988)
\nOberst Redl <\/em><\/strong>(1985)
\nMephisto <\/em><\/strong>(1981)
\nT\u00fczolt\u00f3 utca 25. <\/em><\/strong>(1973)
\nBudapesti mes\u00e9k <\/em><\/strong>(1977)
\nSzerelmesfilm <\/em><\/strong>(1970)
\nApa <\/em><\/strong>(1966)
\n\u00c1lmodoz\u00e1sok kora <\/em><\/strong>(1965)
\nTe <\/em><\/strong>(1963)
\nKoncert <\/em><\/strong>(1962)
\nA hetedik napon <\/em><\/strong>(1959)<\/p>\n

***<\/p>\n

\"Visionados
Apa<\/em> (Istv\u00e1n Szab\u00f3, 1966)<\/figcaption><\/figure>\n
\"Ek
Ek Ghar<\/em> (Girish Kasaravalli, 1991)<\/figcaption><\/figure>\n

***<\/p>\n","protected":false},"excerpt":{"rendered":"

LISTA M\u00e1s all\u00e1 del canon LISTA Una tumba para el ojo: 2021 LISTA Una tumba para el ojo: 2022 LISTA Una tumba para el ojo: 2024 Aqu\u00ed nuestra lista, jerarquizada entre CIMAS REVELADORAS y CIMAS,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[711,419],"tags":[987,712,988],"class_list":["post-6205","post","type-post","status-publish","format-standard","hentry","category-listas","category-registro-de-bitacora","tag-987","tag-listas","tag-visionados-2023"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts\/6205"}],"collection":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6205"}],"version-history":[{"count":66,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts\/6205\/revisions"}],"predecessor-version":[{"id":6728,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts\/6205\/revisions\/6728"}],"wp:attachment":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}