{"id":6655,"date":"2024-12-31T09:00:45","date_gmt":"2024-12-31T09:00:45","guid":{"rendered":"https:\/\/unatumbaparaelojo.com\/?p=6655"},"modified":"2025-02-22T17:11:04","modified_gmt":"2025-02-22T17:11:04","slug":"lista-una-tumba-para-el-ojo-2024","status":"publish","type":"post","link":"https:\/\/unatumbaparaelojo.com\/?p=6655","title":{"rendered":"LISTA Una tumba para el ojo: 2024"},"content":{"rendered":"

LISTA M\u00e1s all\u00e1 del canon<\/a>
\nLISTA Una tumba para el ojo: 2021<\/a>
\nLISTA Una tumba para el ojo: 2022<\/a>
\nLISTA Una tumba para el ojo: 2023<\/a><\/p>\n

Aqu\u00ed nuestra lista, jerarquizada entre<\/em> CIMAS REVELADORAS y<\/em> CIMAS, de los filmes que m\u00e1s nos han aportado en 2024 (incluye revisionados):<\/em><\/p>\n

CIMAS REVELADORAS<\/u><\/strong><\/p>\n

Quaresma<\/em><\/strong> (Jos\u00e9 \u00c1lvaro Morais, 2003) [Portugal]
\nPeixe-Lua<\/em><\/strong> (Jos\u00e9 \u00c1lvaro Morais, 2000) [Portugal]
\nZ\u00e9firo<\/em><\/strong> (Jos\u00e9 \u00c1lvaro Morais, 1993) [Portugal]
\nO Bobo<\/em><\/strong> (Jos\u00e9 \u00c1lvaro Morais, 1987) [Portugal]
\nVanitas<\/em><\/strong> (Paulo Rocha, 2004) [Portugal]
\nA Raiz do Cora\u00e7\u00e3o<\/em><\/strong> (Paulo Rocha, 2000) [Portugal]
\nO Rio do Ouro<\/em><\/strong> (Paulo Rocha, 1998) [Portugal]
\nO Desejado<\/em><\/strong> (Paulo Rocha, 1987) [Portugal]
\nA Ilha dos Amores<\/em><\/strong> (Paulo Rocha, 1982) [Portugal]
\nDerborence<\/em><\/strong> (Francis Reusser, 1985) [Suiza]
\nMerrily We Go to Hell<\/em><\/strong> (Dorothy Arzner, 1932) [EUA]
\nShoes<\/em><\/strong> (Lois Weber, 1916) [EUA]
\nHypocrites <\/em><\/strong>(Lois Weber, 1915) [EUA]
\n20 nuits et un jour de pluie<\/em><\/strong> (L\u00e2m L\u00ea, 2006) [Francia]
\nPoussi\u00e8re d’empire<\/em><\/strong> (L\u00e2m L\u00ea, 1983) [Vietnam]
\nRencontre des nuages et du dragon<\/em><\/strong> (L\u00e2m L\u00ea, 1981) [Vietnam]
\nO Menino e o Vento<\/em><\/strong> (Carlos Hugo Christensen, 1967) [Brasil]
\nViagem aos Seios de Du\u00edlia<\/em><\/strong> (Carlos Hugo Christensen, 1965) [Brasil]
\nLa balandra Isabel lleg\u00f3 esta tarde<\/em><\/strong> (Carlos Hugo Christensen, 1950) [Venezuela]
\nEspaldas mojadas<\/em><\/strong> (Alejandro Galindo, 1965) [M\u00e9xico]
\nMa\u00f1ana ser\u00e1n hombres <\/em><\/strong>(Alejandro Galindo, 1960) [M\u00e9xico]
\nLos que volvieron<\/em><\/strong> (Alejandro Galindo, 1948)\u00a0 [M\u00e9xico]
\nNie wieder schlafen – Nie mehr zur\u00fcck <\/em><\/strong>(Pia Frankenberg, 1992) [Alemania]
\nVon wegen ‘Schicksal’ <\/em><\/strong>(Helga Reidemeister, 1979) [Rep\u00fablica Federal Alemana]
\nL’annonce faite \u00e0 Marie<\/em><\/strong> (Alain Cuny, 1991) [Francia]
\nPadre nuestro<\/em><\/strong> (Francisco Regueiro, 1985) [Espa\u00f1a]
\nSi volvemos a vernos<\/em><\/strong> (Francisco Regueiro, 1968) [Espa\u00f1a]
\nEl buen amor<\/em><\/strong> (Francisco Regueiro, 1963) [Espa\u00f1a]
\nSor Angelina, Virgen <\/em><\/strong>(Francisco Regueiro, 1962) [Espa\u00f1a]
\nSchwarzer Kies <\/em><\/strong> (Helmut K\u00e4utner, 1961) [Rep\u00fablica Federal Alemana]
\nGro\u00dfe Freiheit Nr. 7<\/em><\/strong> (Helmut K\u00e4utner, 1944) [Alemania]
\nLa sombra del caudillo<\/em><\/strong> (Julio Bracho, 1960) [M\u00e9xico]
\nCada qui\u00e9n su vida<\/em><\/strong> (Julio Bracho, 1960) [M\u00e9xico]
\nDistinto amanecer<\/em><\/strong> (Julio Bracho, 1943) [M\u00e9xico]
\nCuerpo a cuerpo<\/em><\/strong> (Paulino Viota, 1984) [Espa\u00f1a]
\nContactos<\/em><\/strong> (Paulino Viota, 1970) [Espa\u00f1a]
\nHanakutashi<\/em><\/strong> (Haruhiko Arai, 2023) [Jap\u00f3n]
\nQiu tian li de chuan tian<\/em><\/strong> (Bai Chen, 1985) [China]
\nDa qiao xia mian<\/em><\/strong> (Bai Chen, 1984) [China]
\nVa savoir +<\/em><\/strong> (Jacques Rivette, 2001) [Francia]
\nFifi Martingale<\/em><\/strong> (Jacques Rozier, 2001) [Francia]
\nHide and Seek<\/em><\/strong> (Su Friedrich, 1996) [EUA]
\nPer sempre<\/em><\/strong> (Alina Marazzi, 2005) [Italia]
\nOkros dzapi<\/em><\/strong> (Lana Gogoberidze, 2019) [Georgia]
\nA Religiosa Portuguesa <\/em><\/strong>(Eug\u00e8ne Green, 2009) [Portugal]
\nLes signes<\/em><\/strong> (Eug\u00e8ne Green, 2006) [Francia]
\nLe pont des Arts<\/em><\/strong> (Eug\u00e8ne Green, 2004) [Francia]
\nToutes les nuits<\/em><\/strong> (Eug\u00e8ne Green, 2001) [Francia]
\nTalking to Strangers <\/em><\/strong>(Rob Tregenza, 1988) [EUA]
\nBlinkity Blank<\/em><\/strong> (Norman McLaren) [Canad\u00e1]
\nAl servicio de la mujer espa\u00f1ola<\/em><\/strong> (Jaime de Armi\u00f1\u00e1n, 1978) [Espa\u00f1a]
\nEl amor del capit\u00e1n Brando<\/em><\/strong> (Jaime de Armi\u00f1\u00e1n, 1974) [Espa\u00f1a]
\nLa zorra y las uvas<\/em><\/strong> (Jaime de Armi\u00f1\u00e1n, Gabriel Ib\u00e1\u00f1ez, 1968) [Espa\u00f1a]
\nLos peces rojos<\/em><\/strong> (Jos\u00e9 Antonio Nieves Conde, 1955) [Espa\u00f1a]
\nSurcos<\/em><\/strong> (Jos\u00e9 Antonio Nieves Conde, 1951) [Espa\u00f1a]
\nSound Barrier<\/em><\/strong> (Amir Naderi, 2005) [EUA]
\nMarathon<\/em><\/strong> (Amir Naderi, 2002) [EUA]
\nA, B, C\u2026 Manhattan<\/em><\/strong> (Amir Naderi, 1997) [EUA]
\nAab, baad, khaak<\/em><\/strong> (Amir Naderi, 1989) [Ir\u00e1n]
\nEntezar<\/em><\/strong> (Amir Naderi, 1974) [Ir\u00e1n]
\nSokout<\/em><\/strong> (Mohsen Makhmalbaf, 1998) [Ir\u00e1n]
\nNar-o-nay<\/em><\/strong> (Saeed Ebrahimifar, 1989) [Ir\u00e1n]
\nJ\u00e9zus Krisztus horoszk\u00f3pja<\/em><\/strong> (Mikl\u00f3s Jancs\u00f3, 1989) [Hungr\u00eda]
\nSz\u00f6rnyek \u00e9vadja<\/em><\/strong> (Mikl\u00f3s Jancs\u00f3, 1987) [Hungr\u00eda]
\nA zsarnok sz\u00edve, avagy Boccaccio Magyarorsz\u00e1gon<\/em><\/strong> (Mikl\u00f3s Jancs\u00f3, 1981) [Hungr\u00eda]
\nAllegro barbaro<\/em><\/strong> (Mikl\u00f3s Jancs\u00f3, 1979) [Hungr\u00eda]
\nMagyar rapsz\u00f3dia<\/em><\/strong> (Mikl\u00f3s Jancs\u00f3, 1979) [Hungr\u00eda]
\nSzerelmem, Elektra<\/em><\/strong> (Mikl\u00f3s Jancs\u00f3, 1974) [Hungr\u00eda]
\nUtopia<\/em><\/strong> (Sohrab Shahid Saless, 1983) [Rep\u00fablica Federal Alemana]
\nReifezeit<\/em><\/strong> (Sohrab Shahid Saless, 1974) [Rep\u00fablica Federal Alemana]
\nTabiate bijan<\/em><\/strong> (Sohrab Shahid Saless, 1974) [Ir\u00e1n]
\nYek Etefagh sadeh<\/em><\/strong> (Sohrab Shahid Saless, 1973) [Ir\u00e1n]
\nTeket\u00f3ria<\/em><\/strong> (Gyula Ma\u00e1r, 1977) [Hungr\u00eda]
\nE o Tempo Passa<\/em><\/strong> (Alberto Seixas Santos, 2011) [Portugal]
\nMal<\/em><\/strong> (Alberto Seixas Santos, 1999) [Portugal]
\nL\u00e1 Fora <\/em><\/strong>(Fernando Lopes, 2004) [Portugal]
\nUma Abelha na Chuva<\/em><\/strong> (Fernando Lopes, 1972) [Portugal]
\nBelarmino<\/em><\/strong> (Fernando Lopes, 1964) [Portugal]
\nAs Pedras e o Tempo<\/em><\/strong> (Fernando Lopes, 1961) [Portugal]
\nCrist\u00f3v\u00e3o Colombo – O Enigma<\/em><\/strong> (Manoel de Oliveira, 2007) [Portugal]
\nUm Filme Falado<\/em><\/strong> (Manoel de Oliveira, 2003) [Portugal]
\nPorto da Minha Inf\u00e2ncia<\/em><\/strong> (Manoel de Oliveira, 2001) [Portugal]
\nVale Abra\u00e3o<\/em><\/strong> (Manoel de Oliveira, 1993) [Portugal]
\nMon cas<\/em><\/strong> (Manoel de Oliveira, 1986) [Francia]
\nLe soulier de satin<\/em><\/strong> (Manoel de Oliveira, 1985) [Portugal]
\nFrancisca<\/em><\/strong> (Manoel de Oliveira, 1981) [Portugal]
\nBenilde ou a Virgem M\u00e3e<\/em><\/strong> (Manoel de Oliveira, 1975) [Portugal]
\nFilms From Magellan<\/em><\/strong> (Hollis Frampton, 1972-1984) [EUA]
\nFue no shiratama<\/em><\/strong> (Hiroshi Shimizu, 1929) [Jap\u00f3n]
\nMy Name Is Oona<\/em><\/strong> (Gunvor Nelson, 1969) [EUA]
\nMata no Hi no Chika<\/em><\/strong> (Kazuo Hara, 2005) [Jap\u00f3n]
\nMeden\u00e1 ve\u017ea <\/em><\/strong>(Martin Holl\u00fd, 1970) [Checoslovaquia]
\nTurumba <\/em><\/strong>(Kidlat Tahimik, 1981) [Filipinas]
\nTaebaeksanmaek<\/em><\/strong> (Im Kwon-taek, 1994) [Corea del Sur]
\nMerry Christmas, Mr. Lawrence<\/em><\/strong> (Nagisa \u00d4shima, 1983) [Jap\u00f3n]
\nRien que les heures<\/em><\/strong> (Alberto Cavalcanti, 1926) [Francia]
\nEl habilitado<\/em><\/strong> (Jorge Cedr\u00f3n, 1971) [Argentina]
\nMaria Zef<\/em><\/strong> (Vittorio Cottafavi, 1981) [Italia]
\nIl taglio del bosco<\/em><\/strong> (Vittorio Cottafavi, 1963) [Italia]
\nFiamma che non si spegne<\/em><\/strong> (Vittorio Cottafavi, 1949) [Italia]
\nKaigenrei<\/em><\/strong> (Yoshishige Yoshida, 1973, Jap\u00f3n) [1973]
\nErosu purasu gyakusatsu<\/em><\/strong> (Yoshishige Yoshida, 1969) [Jap\u00f3n]
\nTag der Idioten<\/em><\/strong> (Werner Schroeter, 1981) [Rep\u00fablica Federal Alemana]
\nNel regno di Napoli <\/em><\/strong>(Werner Schroeter, 1978) [Rep\u00fablica Federal Alemana]
\nMoonlighting<\/em><\/strong> (Jerzy Skolimowski, 1982) [Reino Unido]
\nWalkower <\/em><\/strong>(Jerzy Skolimowski, 1965) [Polonia]
\nGoft-o-goo ba baad<\/em><\/strong> (Bahram Beyzaie, 1998) [Ir\u00e1n]
\nGharibeh Va Meh<\/em><\/strong> (Bahram Beyzaie, 1976) [Ir\u00e1n]
\nLe caf\u00e9 des Jules<\/em><\/strong> (Paul Vecchiali, 1988) [Francia]
\nEn haut des marches<\/em><\/strong> (Paul Vecchiali, 1983) [Francia]
\nCorps \u00e0 c\u0153ur<\/em><\/strong> (Paul Vecchiali, 1979) [Francia]
\nLe r\u00e9cit de Rebecca<\/em><\/strong> (Paul Vecchiali, 1964) [Francia]
\nLa chambre verte<\/em><\/strong> (Fran\u00e7ois Truffaut, 1978) [Francia]
\nViento negro<\/em><\/strong> (Servando Gonz\u00e1lez, 1965) [M\u00e9xico]
\nDolgaya schastlivaya zhizn<\/em><\/strong> (Gennady Shpalikov, 1966) [URSS]
\nZhena kerosinshchika<\/em><\/strong> (Aleksandr Kaydanovskiy, 1989) [URSS]
\nGenainat el-Asmak <\/em><\/strong>(Yousry Nasrallah, 2008) [Egipto]
\nChastnaya zhizn<\/em><\/strong> (Yuli Raizman, 1982) [URSS]
\nStrannaya zhenshchina<\/em><\/strong> (Yuli Raizman, 1978) [URSS]
\nThe Bells of St. Mary\u2019s<\/em><\/strong> (Leo McCarey, 1945) [EUA]
\nGoing My Way<\/em><\/strong> (Leo McCarey, 1944) [EUA]
\nLes derni\u00e8res fian\u00e7ailles<\/em><\/strong> (Jean Pierre Lefebvre, 1973) [Canad\u00e1]
\nPasse montagne<\/em><\/strong> (Jean-Fran\u00e7ois St\u00e9venin, 1978) [Francia]
\nLudwig – Requiem f\u00fcr einen jungfr\u00e4ulichen K\u00f6nig<\/em><\/strong> (Hans-J\u00fcrgen Syberberg, 1972) [Rep\u00fablica Federal Alemana]
\nWhy Not: A Serenade of Eschatological Ecology<\/em><\/strong> (Sh\u00fbsaku Arakawa, 1970) [Jap\u00f3n]
\nAkasen chitai<\/em><\/strong> (Kenji Mizoguchi, 1956) [Jap\u00f3n]
\nRed Line 7000<\/em><\/strong> (Howard Hawks, 1965) [EUA]
\nThe Courtship of Eddie\u2019s Father<\/em><\/strong> (Vincente Minnelli, 1963) [EUA]
\nSome Came Running<\/em><\/strong> (Vincente Minnelli, 1958) [EUA]
\nBonjour tristesse<\/em><\/strong> (Otto Preminger, 1958) [EUA]
\nAngel Face<\/em><\/strong> (Otto Preminger, 1952) [EUA]
\nForever Amber<\/em><\/strong> (Otto Preminger, 1947) [EUA[
\nVollmond<\/em> [Director\u2019s Cut<\/em>]<\/em><\/strong> (Fredi M. Murer, 1998) [Suiza]
\nGrauzone<\/em><\/strong> (Fredi M. Murer, 1979) [Suiza]
\nL’absence<\/em><\/strong> (Peter Handke, 1992) [Francia]
\nDie linksh\u00e4ndige Frau<\/em><\/strong> (Peter Handke, 1977) [Rep\u00fablica Federal Alemana]
\nWait Till the Sun Shines, Nellie<\/em><\/strong> (Henry King, 1952) [EUA]
\nThe Shadow Box<\/em><\/strong> (Paul Newman, 1980) [EUA]
\nVengeance Is Mine<\/em><\/strong> (Michael Roemer, 1984) [EUA]
\nTutajosok<\/em><\/strong> (Judit Elek, 1989) [Hungr\u00eda]
\nM\u00e1ria-nap<\/em><\/strong> (Judit Elek, 1984) [Hungr\u00eda]
\nMajd holnap<\/em><\/strong> (Judit Elek, 1980) [Hungr\u00eda]
\nThe Quiet American<\/em><\/strong> (Joseph L. Mankiewicz, 1958) [EUA]
\nTernos Ca\u00e7adores<\/em><\/strong> (Ruy Guerra, 1969) [Panam\u00e1]
\nCheshme<\/em><\/strong> (Arby Ovanessian, 1972) [Ir\u00e1n]
\nRit over de grens<\/em><\/strong> (Rosemarie Blank, 1994) [Pa\u00edses Bajos]
\nDe mieren<\/em><\/strong> (Rosemarie Blank, 1987) [Pa\u00edses Bajos]
\nFunci\u00f3n de noche<\/em><\/strong> (Josefina Molina, 1981) [Espa\u00f1a]
\nLahko no\u010d, gospodi\u010dna<\/em><\/strong> (Metod Pevec, 2011) [Eslovenia]
\nKamyu nante shiranai <\/em><\/strong>(Mitsuo Yanagimachi, 2005) [Jap\u00f3n]
\nDong fu ren<\/em><\/strong> (Shu Shuen Tong, 1968) [Hong Kong]
\nNa papirnatih avionih<\/em><\/strong> (Matja\u017e Klop\u010di\u010d, 1967) [Yugoslavia]
\nZgodba ki je ni<\/em><\/strong> (Matja\u017e Klop\u010di\u010d, 1967) [Yugoslavia]
\nSauvage<\/em><\/strong> (Jean-Fran\u00e7ois Amiguet, 2010) [Suiza]
\nLes indiens sont encore loin<\/em><\/strong> (Patricia Moraz, 1977) [Suiza]
\nDer zynische K\u00f6rper<\/em><\/strong> (Heinz Emigholz, 1991) [Alemania]
\nKanojo to kare<\/em><\/strong> (Susumu Hani, 1963) [Jap\u00f3n]
\nAlouette, je te plumerai<\/em><\/strong> (Pierre Zucca, 1988) [Francia]
\nRoberte<\/em><\/strong> (Pierre Zucca, 1979) [Francia]
\nFoolish Wives<\/em><\/strong> (Erich von Stroheim, 1922) [EUA]
\nThe Tarnished Angels<\/em><\/strong> (Douglas Sirk, 1957) [EUA]
\nWritten on the Wind<\/em><\/strong> (Douglas Sirk, 1956) [EUA]
\nLe occasioni di Rosa<\/em><\/strong> (Salvatore Piscicelli, 1981) [Italia]
\nLa bella di Lodi<\/em><\/strong> (Mario Missiroli, 1963) [Italia]
\nRetrato de mujer con hombre al fondo<\/em><\/strong> (Manane Rodr\u00edguez, 1997) [Espa\u00f1a]
\nUno de los dos no puede estar equivocado<\/em><\/strong> (Pablo Llorca, 2007) [Espa\u00f1a]
\nJardines colgantes<\/em><\/strong> (Pablo Llorca, 1993) [Espa\u00f1a]
\nHiganbana<\/em><\/strong> (Yasujir\u00f4 Ozu, 1958) [Jap\u00f3n]
\n\u00cdgy fog leperegni<\/em><\/strong> (Andr\u00e1s Jeles, 1970) [Hungr\u00eda]
\nLong Day\u2019s Journey Into Night<\/em><\/strong> (Sidney Lumet, 1962) [EUA]
\nKhandhar <\/em><\/strong>(Mrinal Sen, 1984) [India]
\nNightsongs <\/em><\/strong>(Marva Nabili) [Ir\u00e1n] [EUA]
\nKhake Sar Beh Mohr<\/em><\/strong> (Marva Nabili, 1977) [Ir\u00e1n]
\nOggetti smarriti<\/em><\/strong> (Giuseppe Bertolucci, 1980) [Italia]
\nNostra signora dei turchi<\/em><\/strong> (Carmelo Bene, 1968) [Italia]
\nMor-Vran<\/em><\/strong> (Jean Epstein, 1930) [Francia]
\nFinis terrae<\/em><\/strong> (Jean Epstein, 1929) [Francia]
\nSad zhelaniy<\/em><\/strong> (Ali Khamraev, 1987) [URSS]
\nYa tebya pomnyu<\/em><\/strong> (Ali Khamraev, 1985) [URSS]
\nTriptikh<\/em><\/strong> (Ali Khamraev, 1980) [URSS]
\nDupe od mramora<\/em><\/strong> (\u017delimir \u017dilnik, 1995) [Yugoslavia]
\nHousehold Saints<\/em><\/strong> (Nancy Savoca, 1993) [EUA]
\nPiccoli orrori <\/em><\/strong>(Tonino De Bernardi, 1994) [Italia]
\nDie Sonneng\u00f6ttin<\/em><\/strong> (Rudolf Thome, 1993) [Alemania]
\nGubben i stugan <\/em><\/strong>(Nina Hedenius, 1996) [Suecia]
\nSchwarze S\u00fcnde<\/em><\/strong> (Dani\u00e8le Huillet, Jean-Marie Straub, 1989) [Rep\u00fablica Federal Alemana]
\nDer Tod des Empedokles oder: Wenn dann der Erde Gr\u00fcn von neuem Euch ergl\u00e4nzt <\/em><\/strong>(Dani\u00e8le Huillet, Jean-Marie Straub, 1987) [Rep\u00fablica Federal Alemana]
\nLos p\u00e1jaros de Baden-Baden<\/em><\/strong> (Mario Camus, 1975) [Espa\u00f1a]
\nMeztelen vagy <\/em><\/strong>(Imre Gy\u00f6ngy\u00f6ssy, 1972) [Hungr\u00eda]
\nPosleslovie<\/em><\/strong> (Marlen Khutsiev, 1984) [URSS]
\nWild Side<\/em> [Director\u2019s Cut<\/em>]<\/em><\/strong> (Donald Cammell, 1995) [Reino Unido]
\nFoujita<\/em><\/strong> (K\u00f4hei Oguri, 2015) [Jap\u00f3n]
\nArri\u00e8re-saison<\/em><\/strong> (Dimitri Kirsanoff, 1950) [Francia]
\nPont de Vars\u00f2via <\/em><\/strong>(Pere Portabella, 1990) [Espa\u00f1a]
\nFedra<\/em><\/strong> (Manuel Mur Oti, 1956) [Espa\u00f1a]
\nCondenados<\/em><\/strong> (Manuel Mur Oti, 1953) [Espa\u00f1a]
\nIl Cristo proibito<\/em><\/strong> (Curzio Malaparte, 1951) [Italia]
\nAnni difficili <\/em><\/strong>(Luigi Zampa, 1948) [Italia]
\nVec vidjeno<\/em><\/strong> (Goran Markovi\u0107, 1987) [Yugoslavia]
\nWo zhe yang guo le yi sheng<\/em><\/strong> (Chang Yi, 1985) [Taiw\u00e1n]
\nLa t\u00eda Tula<\/em><\/strong> (Miguel Picazo, 1964) [Espa\u00f1a]
\nCity Girl <\/em><\/strong>(F.W. Murnau, 1930) [EUA]
\nSunrise: A Song of Two Humans <\/em><\/strong>(F.W. Murnau, 1927) [EUA]
\n\u00d6r\u00f6kbefogad\u00e1s<\/em><\/strong> (M\u00e1rta M\u00e9sz\u00e1ros, 1975) [Hungr\u00eda]
\nCruces sobre el yermo <\/em><\/strong>(Alberto Mariscal, 1967) [M\u00e9xico]
\nCompagna di viaggio<\/em><\/strong> (Peter Del Monte, 1996) [Italia]
\nLa signora di tutti<\/em><\/strong> (Max Oph\u00fcls, 1934) [Italia]
\nL’arri\u00e8re pays<\/em><\/strong> (Jacques Nolot, 1998) [Francia]
\nAn American Romance<\/em><\/strong> (King Vidor, 1944) [EUA]
\nThe Stranger\u2019s Return<\/em><\/strong> (King Vidor, 1933) [EUA]
\nLe Horla<\/em><\/strong> (Jean-Daniel Pollet, 1966) [Francia]
\nEl-Fall\u00e2h el-fas\u00eeh<\/em><\/strong> (Chadi Abdel Salam, 1970) [Egipto]
\nAl-mummia<\/em><\/strong> (Chadi Abdel Salam, 1969) [Egipto]
\nWheel of Ashes<\/em><\/strong> (Peter Emmanuel Goldman, 1968) [Francia]
\nEchoes of Silence<\/em><\/strong> (Peter Emmanuel Goldman, 1965) [EUA]
\nSombra verde<\/em><\/strong> (Roberto Gavald\u00f3n, 1954) [M\u00e9xico]
\nLa muerte de Sebasti\u00e1n Arache y su pobre entierro<\/em><\/strong> (Nicol\u00e1s Sarqu\u00eds) [Argentina]
\nEspagne <\/em><\/strong>(Alice Guy-Blach\u00e9, 1905) [Francia]
\nMaya Darpan<\/em><\/strong> (Kumar Shahani, 1972) [India]
\nNahla <\/em><\/strong>(Farouk Beloufa, 1979) [Argelia]
\nBabae sa breakwater<\/em><\/strong> (Mario O’Hara, 2003) [Filipinas]
\nCitizens Band<\/em><\/strong> (Jonathan Demme, 1977) [EUA]
\nEnd of the Road<\/em><\/strong> (Aram Avakian, 1970) [EUA]
\nBarnabo delle montagne<\/em><\/strong> (Mario Brenta, 1994) [Italia]
\nPassione d’amore<\/em><\/strong> (Ettore Scola, 1981) [Italia]
\nSiddheshwari<\/em><\/strong> (Mani Kaul, 1990) [India]
\nA\u00e9lia<\/em><\/strong> (Dominique de Rivaz, 1986) [Suiza]
\nCartesius<\/em><\/strong> (Roberto Rossellini, 1974) [Italia]
\nL\u2019et\u00e0 di Cosimo de Medici<\/a><\/em><\/strong> (Roberto Rossellini, 1973) [Italia]
\nBlaise Pascal<\/em><\/strong> (Roberto Rossellini, 1972) [Italia]
\nNon credo pi\u00f9 all’amore (La paura)<\/em><\/strong> (Roberto Rossellini, 1954) [Italia]
\nFrancesco, giullare di Dio<\/em><\/strong> (Roberto Rossellini, 1950) [Italia]
\nGermania anno zero<\/em><\/strong> (Roberto Rossellini, 1948) [Italia]
\nL’arbre, le maire et la m\u00e9diath\u00e8que<\/em><\/strong> (\u00c9ric Rohmer, 1993) [Francia]
\nZan va shohar Karegar<\/em><\/strong> (Keywan Karimi, 2013) [Ir\u00e1n]
\nAl-lail <\/em><\/strong>(Mohamed Malas, 1992) [Siria]
\nAyneh<\/em><\/strong> (Jafar Panahi, 1997) [Ir\u00e1n]
\nVi har m\u00e5nga namn<\/em><\/strong> (Mai Zetterling, 1976) [Suecia]
\nCelos <\/em><\/strong>(Arcady Boytler, 1936) [M\u00e9xico]
\nLa mujer del puerto <\/em><\/strong>(Arcady Boytler, Raphael J. Sevilla, 1934) [M\u00e9xico]
\nKhaneh siah ast<\/em><\/strong> (Forugh Farrokhzad, 1963) [Ir\u00e1n]
\nBareha Dar Barf Bedonya Miayand<\/em><\/strong> (Farhad Mehranfar, 1989) [Ir\u00e1n]
\nLaulu tulipunaisesta kukasta<\/em><\/strong> (Teuvo Tulio, 1938) [Finlandia]
\nThe Sunchaser<\/em><\/strong> (Michael Cimino, 1996) [EUA]
\nThe Devil Is a Woman<\/em><\/strong> (Josef von Sternberg, 1935) [EUA]
\nThe Scarlet Empress<\/em><\/strong> (Josef von Sternberg, 1934) [EUA]
\nLe vent de la nuit<\/em><\/strong> (Philippe Garrel, 1999) [Francia]
\nLa cicatrice int\u00e9rieure<\/em><\/strong> (Philippe Garrel, 1972) [Francia]
\nLa campagne de Cic\u00e9ron<\/em><\/strong> (Jacques Davila, 1990) [Francia]
\nElle est des n\u00f4tres<\/em><\/strong> (Siegrid Alnoy, 2003) [Francia]
\nComptines <\/em><\/strong>(Manon Barbeau, 1975) [Canad\u00e1]
\nA\u00efe<\/em><\/strong> (Sophie Filli\u00e8res, 2000) [Francia]
\nO Som da Terra a Tremer<\/em><\/strong> (Rita Azevedo Gomes, 1990) [Portugal]
\nBad ma ra khahad bord<\/em><\/strong> (Abbas Kiarostami, 1999) [Ir\u00e1n]
\nZendegi va digar hich<\/em><\/strong> (Abbas Kiarostami, 1992) [Ir\u00e1n]
\nBranca de Neve<\/em><\/strong> (Jo\u00e3o C\u00e9sar Monteiro, 2000) [Portugal]
\nLa sindrome di Stendhal<\/em><\/strong> (Dario Argento, 1996) [Italia]
\nVkhodyashchaya v more<\/em><\/strong> (Leonid Osyka, 1965) [URSS]
\nKanata no uta<\/em><\/strong> (Kyoshi Sugita, 2023) [Jap\u00f3n]
\nHaruhara-san no uta<\/em><\/strong> (Kyoshi Sugita, 2021) [Jap\u00f3n]
\nOctobre \u00e0 Madrid<\/em><\/strong> (Marcel Hanoun, 1965) [Francia]
\nT\u00fcske a k\u00f6r\u00f6m alatt <\/em><\/strong>(S\u00e1ndor S\u00e1ra, 1987) [Hungr\u00eda]
\nElena et les hommes <\/em><\/strong>(Jean Renoir, 1956) [Francia]
\nAmelia L\u00f3pes O’Neill<\/em><\/strong> (Valeria Sarmiento, 1991) [Chile]
\nMona et moi <\/em><\/strong>(Patrick Grandperret, 1989) [Francia]
\nFull Body Massage<\/em><\/strong> (Nicolas Roeg, 1995) [EUA]
\nHotel Paradise<\/em><\/strong> (Nicolas Roeg, 1995) [Alemania]
\n…All the Marbles<\/em><\/strong> (Robert Aldrich, 1981) [EUA]
\nUbrzanje<\/em><\/strong> (Ivan Martinac, 1968) [Yugoslavia]
\nKardiogramma<\/em><\/strong> (Darezhan Omirbayev, 1995) [Kazajist\u00e1n]
\nDorogoy tsenoy<\/em><\/strong> (Mark Donskoy, 1957) [URSS]
\nProfessione: reporter<\/em><\/strong> (Michelangelo Antonioni, 1975) [Italia]
\nTill We Meet Again<\/em><\/strong> (Frank Borzage, 1944) [EUA]
\nSylvia Scarlett<\/em><\/strong> (George Cukor, 1935) [EUA]
\nLes enfants<\/em><\/strong> (Marguerite Duras, 1985) [Francia]
\nIl dialogo di Roma<\/em><\/strong> (Marguerite Duras, 1983) [Italia]
\nL’homme atlantique<\/em><\/strong> (Marguerite Duras, 1981) [Francia]
\nLa femme du Gange<\/em><\/strong> (Marguerite Duras, 1974) [Francia]
\nUne femme douce <\/em><\/strong>(Robert Bresson, 1969) [Francia]
\nAu Hasard Balthazar<\/em><\/strong> (Robert Bresson, 1966) [Francia]
\nGertrud<\/em><\/strong> (Carl Theodor Dreyer, 1964) [Dinamarca]<\/p>\n

***<\/p>\n

\"Peixe-Lua
Peixe-Lua<\/em> (Jos\u00e9 \u00c1lvaro Morais, 2000)<\/figcaption><\/figure>\n
\"Nie
Nie wieder schlafen – Nie mehr zur\u00fcck<\/em> (Pia Frankenberg, 1992)<\/figcaption><\/figure>\n
\"El
El buen amor <\/em>(Francisco Regueiro, 1963)<\/figcaption><\/figure>\n

***<\/p>\n

CIMAS<\/u><\/strong><\/p>\n

En busca de un muro<\/em><\/strong> (Julio Bracho, 1974) [M\u00e9xico]
\nYanco<\/em><\/strong> (Servando Gonz\u00e1lez, 1961) [M\u00e9xico]
\nFamiliaridades <\/em><\/strong>(Felipe Cazals, 1969) [M\u00e9xico]
\nLos murmullos<\/em><\/strong> (Rub\u00e9n G\u00e1mez, 1976) [M\u00e9xico]
\nCumbite<\/em><\/strong> (Tom\u00e1s Guti\u00e9rrez Alea, 1964) [Cuba]
\nEn un barrio viejo<\/em><\/strong> (Nicol\u00e1s Guill\u00e9n Landri\u00e1n, 1963) [Cuba]
\nEnoch Arden<\/em><\/strong> (D.W. Griffith, 1911) [EUA]
\nThe Unchanging Sea<\/em><\/strong> (D.W. Griffith, 1910) [EUA]
\nAs Ilhas Encantadas<\/em><\/strong> (Carlos Vilardeb\u00f3, 1965) [Portugal]
\nIl n’y a pas de faux m\u00e9tier<\/em><\/strong> (Olivier Godin, 2020) [Canad\u00e1]
\nDance, Girl, Dance<\/em><\/strong> (Dorothy Arzner, 1940) [EUA]
\nLe legioni di Cleopatra<\/em><\/strong> (Vittorio Cottafavi, 1959) [Italia]
\nUna donna ha ucciso<\/em><\/strong> (Vittorio Cottafavi, 1952) [Italia]
\nEl coraz\u00f3n de la noche<\/em><\/strong> (Jaime Humberto Hermosillo, 1984) [M\u00e9xico]
\nIdilio<\/em><\/strong> (Jaime Humberto Hermosillo, 1978) [M\u00e9xico]
\nDrylongso<\/em><\/strong> (Cauleen Smith, 1998) [EUA]
\nMein Falke<\/em><\/strong> (Dominik Graf, 2023) [Alemania]
\nGesicht der Erinnerung<\/em><\/strong> (Dominik Graf, 2022) [Austria]
\nDer Felsen<\/em><\/strong> (Dominik Graf, 2002) [Alemania]
\nTri\u00e1ngulo <\/em><\/strong>(Alejandro Galindo, 1972) [M\u00e9xico]
\nTacos al carb\u00f3n<\/em><\/strong> (Alejandro Galindo, 1972) [M\u00e9xico]
\nCristo 70 <\/em><\/strong>(Alejandro Galindo, 1970) [M\u00e9xico]
\nLa edad de la tentaci\u00f3n<\/em><\/strong> (Alejandro Galindo, 1959) [M\u00e9xico]
\nUna familia de tantas <\/em><\/strong>(Alejandro Galindo, 1949) [M\u00e9xico]
\nEsquina, bajan…!<\/em><\/strong> (Alejandro Galindo, 1948) [M\u00e9xico]
\n\u00c1guila o sol <\/em><\/strong>(Arcady Boytler, 1938) [M\u00e9xico]
\nEl tesoro de Pancho Villa<\/em><\/strong> (Arcady Boytler, 1935) [M\u00e9xico]
\nLa mancha de sangre <\/em><\/strong>(Adolfo Best-Maugard, 1937) [M\u00e9xico]
\nA Day at the Beach<\/em><\/strong> (Simon Hesera, 1970) [Reino Unido]
\nSeuls<\/em><\/strong> (Francis Reusser, 1981) [Suiza]
\nSauvage innocence<\/em><\/strong> (Philippe Garrel, 2001) [Francia]
\nDges game utenebia <\/em><\/strong>(Lana Gogoberidze, 1983) [URSS]
\nMonpti<\/em><\/strong> (Helmut K\u00e4utner, 1957) [Rep\u00fablica Federal Alemana]
\nUnter den Br\u00fccken<\/em><\/strong> (Helmut K\u00e4utner, 1946) [Alemania]
\nOrgullo<\/em><\/strong> (Manuel Mur Oti, 1955) [Espa\u00f1a]
\nCielo negro<\/em><\/strong> (Manuel Mur Oti, 1951) [Espa\u00f1a]
\nInside\/Out<\/em><\/strong> (Rob Tregenza, 1997) [EUA]
\nA Rapariga da M\u00e3o Morta <\/em><\/strong>(Alberto Seixas Santos, 2005) [Portugal]
\nDouble messieurs<\/em><\/strong> (Jean-Fran\u00e7ois St\u00e9venin, 1986) [Francia]
\nNuits blanches sur la jet\u00e9e<\/em><\/strong> (Paul Vecchiali, 2014) [Francia]
\nOnce More<\/em><\/strong> (Paul Vecchiali, 1988) [Francia]
\nTransit Levantkade<\/em><\/strong> (Rosemarie Blank, 1991) [Pa\u00edses Bajos]
\nVegas: Based on a True Story<\/em><\/strong> (Amir Naderi, 2008) [EUA]
\nManhattan by Numbers<\/em><\/strong> (Amir Naderi, 1993) [EUA]
\nDavandeh<\/em><\/strong> (Amir Naderi, 1984) [Ir\u00e1n]
\nLinia<\/em><\/strong> (Grzegorz Rogala, 1981) [Polonia]
\nImmacolata e Concetta, l’altra gelosia<\/em><\/strong> (Salvatore Piscicelli, 1979) [Italia]
\nBalthus<\/em><\/strong> (Pierre Zucca, 1981) [Francia]
\nPassage secret<\/em><\/strong> (Laurent Perrin, 1985) [Francia]
\nBefore and After<\/em><\/strong> (Barbet Schroeder, 1996) [EUA]
\nDerni\u00e8re s\u00e9ance<\/em><\/strong> (Laurent Achard, 2011) [Francia]
\nXIX saukunis qartuli qronika<\/em><\/strong> (Aleksandre Rekhviashvili, 1979) [URSS]
\nDokhtaran-e khorshid<\/em><\/strong> (Maryam Shahriar, 2000) [Ir\u00e1n]
\nPestilent City<\/em><\/strong> (Peter Emmanuel Goldman, 1965) [EUA]
\nRoma rivuole Cesare<\/em><\/strong> (Mikl\u00f3s Jancs\u00f3, 1974) [Italia]
\nM\u00e9g k\u00e9r a n\u00e9p <\/em><\/strong>(Mikl\u00f3s Jancs\u00f3, 1972) [Hungr\u00eda]
\n\u00c9gi b\u00e1r\u00e1ny<\/em><\/strong> (Mikl\u00f3s Jancs\u00f3, 1971) [Hungr\u00eda]
\nA Queda<\/em><\/strong> (Ruy Guerra, 1976) [Brasil]
\nOs Deuses e os Mortos<\/em><\/strong> (Ruy Guerra, 1970) [Brasil]
\nOs Fuzis<\/em><\/strong> (Ruy Guerra, 1964) [Brasil]
\nSumerki zhenskoy dushi<\/em><\/strong> (Yevgeny Bauer, 1913) [Rusia]
\nH.M. Pulham, Esq.<\/em><\/strong> (King Vidor, 1941) [EUA]
\nMass for the Dakota Sioux<\/em><\/strong> (Bruce Baillie, 1964) [EUA]
\nKu\u0107a na pijesku<\/em><\/strong> (Ivan Martinac, 1985) [Yugoslavia]
\nFokus<\/em><\/strong> (Ivan Martinac, 1967) [Yugoslavia]
\nIvul<\/em><\/strong> (Andrew K\u00f6tting, 2009) [Francia]
\nLa vengeance d’une femme<\/em><\/strong> (Jacques Doillon, 1990) [Francia]
\nAlbert Savarus <\/em><\/strong>(Alexandre Astruc, 1993) [Francia]
\nLa chute de la maison Usher<\/em><\/strong> (Alexandre Astruc, 1981) [Francia]
\nLa sapienza<\/em><\/strong> (Eug\u00e8ne Green, 2014) [Francia]
\nJos\u00e9 Luis<\/em><\/strong> (Paulino Viota, 1966) [Espa\u00f1a]
\n\u00cdt\u00e9let<\/em><\/strong> (Ferenc K\u00f3sa, 1970) [Hungr\u00eda]
\nBart\u00f3k B\u00e9la: Az \u00e9jszaka zen\u00e9je<\/em><\/strong> (Istv\u00e1n Ga\u00e1l, 1970) [Hungr\u00eda]
\nZ\u00f6ld\u00e1r<\/em><\/strong> (Istv\u00e1n Ga\u00e1l, 1965) [Hungr\u00eda]
\nSe Eu Fosse Ladr\u00e3o, Roubava<\/em><\/strong> (Paulo Rocha, 2013) [Portugal]
\nM\u00e1scara de A\u00e7o contra Abismo Azul <\/em><\/strong>(Paulo Rocha, 1989) [Portugal]
\nA Pousada das Chagas<\/em><\/strong> (Paulo Rocha, 1972) [Portugal]
\nIl messia<\/em><\/strong> (Roberto Rossellini, 1975) [Italia]
\nLa donation<\/em><\/strong> (Bernard \u00c9mond, 2009) [Canad\u00e1]
\nEm C\u00e2mara Lenta<\/em><\/strong> (Fernando Lopes, 2012) [Portugal]
\nAs Palavras e os Fios<\/em><\/strong> (Fernando Lopes, 1962) [Portugal]
\nO Gerente <\/em><\/strong>(Paulo C\u00e9sar Saraceni, 2011) [Brasil]
\nSonatine<\/em><\/strong> (Micheline Lanct\u00f4t, 1984) [Canad\u00e1]
\nKidonappu bur\u00fbsu<\/em><\/strong> (Shinpei Asai, 1982) [Jap\u00f3n]
\nDas offene Universum<\/em><\/strong> (Klaus Wyborny, 1990) [Alemania]
\nHet debuut<\/em><\/strong> (Nouchka van Brakel, 1977) [Pa\u00edses Bajos]
\nStranded<\/em><\/strong> (Juleen Compton, 1965) [EUA]
\nSaltimbank<\/em><\/strong> (Jean-Claude Biette, 2003) [Francia]
\nLa Partenza<\/em><\/strong> (Jean-Claude Biette, 1968) [Italia]
\nUn petit cas de conscience<\/em><\/strong> (Marie-Claude Treilhou, 2002) [Francia]
\nToby Dammit<\/em><\/strong> (Federico Fellini, 1968) [Italia]
\nGli ultimi <\/em><\/strong>(Vito Pandolfi, 1963) [Italia]
\nJofroi <\/em><\/strong>(Marcel Pagnol, 1933) [Francia]
\nThe Seventh Victim<\/em><\/strong> (Mark Robson, 1943) [EUA]
\nR\u0119ce do g\u00f3ry<\/em><\/strong> (Jerzy Skolimowski, 1981) [Polonia[
\nLe d\u00e9part<\/em><\/strong> (Jerzy Skolimowski, 1967) [B\u00e9lgica]
\nBariera<\/em><\/strong> (Jerzy Skolimowski, 1966) [Polonia]
\nRysopis<\/em><\/strong> (Jerzy Skolimowski, 1965) [Polonia]
\nHospital general<\/em><\/strong> (Carlos Ar\u00e9valo, 1958) [Espa\u00f1a]
\nFejl\u00f6v\u00e9s<\/em><\/strong> (P\u00e9ter Bacs\u00f3, 1968) [Hungr\u00eda]
\nNirmalyam<\/em><\/strong> (M.T. Vasudevan Nair, 1973) [India]
\nCap Nord<\/em><\/strong> (Sandrine Rinaldi, 2007) [Francia]
\nLes camisards<\/em><\/strong> (Ren\u00e9 Allio, 1972) [Francia]
\nKairat<\/em><\/strong> (Darezhan Omirbayev, 1992) [Kazajist\u00e1n]
\nSandra<\/em><\/strong> (Luchino Visconti, 1965) [Italia]
\nMaternale<\/em><\/strong> (Giovanna Gagliardo, 1978) [Italia]
\nRincones del para\u00edso<\/em><\/strong> (Carlos P\u00e9rez Merinero, 1999) [Espa\u00f1a]
\nSi le vent te fait peur<\/em><\/strong> (Emile Degelin, 1960) [B\u00e9lgica]
\nLa ruta de Don Quijote<\/em><\/strong> (Ram\u00f3n Biadi\u00fa, 1934) [Espa\u00f1a]
\nL’authentique proc\u00e8s de Carl-Emmanuel Jung<\/em><\/strong> (Marcel Hanoun, 1967) [Francia]
\nO necem jin\u00e9m<\/em><\/strong> (Vera Chytilov\u00e1, 1963) [Checoslovaquia]
\nDie Ber\u00fchrte<\/em><\/strong> (Helma Sanders-Brahms, 1981) [Rep\u00fablica Federal Alemana]
\nUma Rapariga no Ver\u00e3o<\/em><\/strong> (V\u00edtor Gon\u00e7alves, 1986) [Portugal]
\nCorte de Cabelo<\/em><\/strong> (Joaquim Sapinho, 1995) [Portugal]
\nKong Fuzi<\/em><\/strong> (Mu Fei, 1940) [China]
\nShayad Vaghti Deegar<\/em><\/strong> (Bahram Beyzaie, 1988) [Ir\u00e1n]
\nPhotographic Memory <\/em><\/strong>(Ross McElwee, 2011) [EUA]
\nBright Leaves<\/em><\/strong> (Ross McElwee, 2003) [EUA]
\nSherman’s March <\/em><\/strong>(Ross McElwee, 1985) [EUA]
\nLe testament du Docteur Cordelier<\/em><\/strong> (Jean Renoir, 1959) [Francia]
\nNueve cartas a Berta <\/em><\/strong>(Basilio Mart\u00edn Patino, 1966) [Espa\u00f1a]
\nOn the Bowery <\/em><\/strong>(Lionel Rogosin, 1956) [EUA]
\nDolina Issy<\/em><\/strong> (Tadeusz Konwicki, 1992) [Polonia]
\nMetel<\/em><\/strong> (Vladimir Basov, 1965) [URSS]
\nRally ‘Round the Flag, Boys!<\/em><\/strong> (Leo McCarey, 1958) [EUA]
\nKoportos<\/em><\/strong> (L\u00edvia Gyarmathy, 1979) [Hungr\u00eda]
\nFinye <\/em><\/strong>(Souleymane Ciss\u00e9, 1982) [Mal\u00ed]
\nBaara<\/em><\/strong> (Souleymane Ciss\u00e9, 1978) [Mal\u00ed]
\nLeo the Last <\/em><\/strong>(John Boorman, 1970) [Reino Unido]
\nVerj<\/em><\/strong> (Artavazd Peleshian, 1992) [Armenia]<\/p>\n

***<\/p>\n

\"20
20 nuits et un jour de pluie<\/em> (L\u00e2m L\u00ea, 2006)<\/figcaption><\/figure>\n
\"Von
Von wegen ‘Schicksal’<\/em> (Helga Reidemeister, 1979)<\/figcaption><\/figure>\n
\"Teket\u00f3ria
Teket\u00f3ria<\/em> (Gyula Ma\u00e1r, 1977)<\/figcaption><\/figure>\n

***<\/p>\n","protected":false},"excerpt":{"rendered":"

LISTA M\u00e1s all\u00e1 del canon LISTA Una tumba para el ojo: 2021 LISTA Una tumba para el ojo: 2022 LISTA Una tumba para el ojo: 2023 Aqu\u00ed nuestra lista, jerarquizada entre CIMAS REVELADORAS y CIMAS,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[711,419],"tags":[1017,712,1018],"class_list":["post-6655","post","type-post","status-publish","format-standard","hentry","category-listas","category-registro-de-bitacora","tag-1017","tag-listas","tag-visionados-2024"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts\/6655"}],"collection":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6655"}],"version-history":[{"count":34,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts\/6655\/revisions"}],"predecessor-version":[{"id":6741,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=\/wp\/v2\/posts\/6655\/revisions\/6741"}],"wp:attachment":[{"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unatumbaparaelojo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}